breed the killer

Brown and black blood to the concrete, exposed to the systema-
tic terrors and atrocities. Generations of blood-soaked fami-
lies, economic prison and self-hate is my birth-right, see?
Fratricide, homicide, suicide, genocide, they wanna kill the
niggasand wetbacks silently. Fueled by hate, fear and forced
self-denail, black kill black! Brown kill brown! L.A. style!
They breed the killer! Born in the middle of ghetto-like
battlefield, denied human rights and the wounds won't heal.
Our mothers shout a suffocating painfull cry as they watch
more generations of black and brown die. Dignity defined by
sacrificial death, to die for the blood is all I have left.
The system at hand must see one thing clearer: the city of
L.A.'s the black and brown killers! Blood to the concrete,
systematic terror! Historical facts will prove the system
guilty; hypocrisy existed when there should have been equali-
ty. Mental enslavement to loss of self-confidence, self defen-
ce ends in death of intelligence. Drown in abyss of insuffi-
cient education; prosperity cannot exist through moderation.
Forced on the culture, death in the bloodline, father to son
the mind will be confined! 818, yes they breed the killer!
213, yes they breed the killer! 310 yes, they breed the kil-
ler! The system at hand must see one thing clearer: the city
of L.A. is breeding black and brown killers!

downsets history (from their site)

Founded in Los Angeles in the late 80's as part of the thriving hardcore scene, downset. has evolved into an icon of sorts. As the original blenders of rap, funk, hardcore, punk, metal, and socially aware lyrics, they drew influences from Black Flag to Black Sabbath, Public Enemy to Bob Marley.

Becoming a huge draw, the industry took notice and they caught the attention of Mercury/PolyGram Records and released their self titled debut in 1994. Vocalist Rey Oropeza, guitarist Brian Schwager, bassist Rico Villasenor, and drummer Chris Lee perfected their unique, in your face assault of rap/rock fusion, as their pounding street anthems, along with artists like Rage Against The Machine and KoRn, helped to pave the way for the hip-hop/metal explosion of the late 90's

In 1996 the band delivered "Do We Speak A Dead Language?" and won praise for being "LA's best kept secret" (LA Weekly, February 28, 1997) and Guitar School raved that the band "delivers a pile-driving mountain of Sabbathian riffs, and harsh militant vocals, taking rap metal to its meanest, heaviest and mangiest heights to date" (April 97). The band tore up the festival circuit including Reading and Roskilde, and toured over 25 countries of the world with all their contemporaries, including Pantera, Deftones, Red Hot Chili Peppers, Slayer, as well as a well-deserved spot on the inaugural run of Ozzfest.

As efforts for their third album became frustrating due to contractual entanglements from its label’s merger with Universal, the band underwent internal changes and in Oct 2000 the band returned with a new label (Epitaph) and new album “Check Your People”.

Tearing up the main stage on the “Tattoo the Earth” Tour alongside Slipknot, Hatebreed, Slayer, Mudvayne, and Sevendust, and the Massive Distortion stage at P3, as well as jaunts with Soulfly, Fishbone, and Metallica helped reconfirm the bands place among the metal elite, and increased their rabid, ever-growing fanbase. Sandy Masuo of the LA Times lauded their ability to go "from vehement punk rants to spoken word lulls" and "combine the blustery and balmy elements for a more dynamic attack"

downset. is geared and primed with vigor to return to the top of the amalgamated world they created over a decade ago, and bring it to all. The band just completed 11 blistering new songs, and has been performing sporadically for the long awaited 4th album, "Universal", slated to be released March 9th on Seattle-based Hawino Records.

Their reemergence marks the strength and integrity that has been held high in the eyes and ears of fans and believers. And while their previous efforts have sold close to 300,000 copies worldwide, "Universal" is set to follow suit. Tracks like "Forever", "All Crews", "Black Glock",  
and "Jumpin' Off", showcase the uncompromising anger and gritty reality downset. fans have learned to expect.  

“UNIVERSAL”  - In Stores March 9th
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