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12 November 2007 @ 04:37 am
English Language Anime DVD's?  
I'm hoping someone here knows the answer, because I don't want to inadvertently screw a writer out of money they deserve.

Do WGA writers have anything to do with writing the English language dialogue for anime shows? I wanted to buy some anime DVD's (we always listen to the Japanese language part and read the subtitles) but I don't know if the writers who do the other part (or the people who subtitles!) are WGA writers or not...

Thanks in advance!
 
 
Current Mood: confused
 
 
12 November 2007 @ 01:57 pm
John August on Resdiuals  
Screenwriter John August blogs about residuals: why authors get royalties, why screenwriters get residuals, why other people don't get residuals and how to explain all this to friends, family and co-workers.

It's an overview of what the word means and why there is a fight. It makes a complicated issue very clear.
 
 
10 November 2007 @ 03:35 pm
Kind of odd question  
And apologies if this has been asked before, but does anybody know how shows on Nick Jr./Nickelodeon are being affected? My son watches Yo Gabba Gabba, Blue's Clues, Wonderpets and The Backyardigans sporadically, so I'm curious what they are doing to support the strike, or if they don't really worry about it so much?
 
 
10 November 2007 @ 02:22 pm
SFWA supports WGA strike  
From Michael Capobianco, President of SFWA:

Science Fiction and Fantasy Writers of America (SFWA) stands solidly in support of the WGA strike in seeking appropriate compensation for writers when their work is distributed digitally, either in DVD form or through Internet downloads.  Although SFWA is not a union, it is an organization of writers that advocates for authors’ rights. WGA and its demands fall squarely into this category. All writers will be affected by the outcome of this strike, and we stand or fall on our solidarity in resisting those who seek to distribute our work on the Internet without fair compensation.

Contrary to prevailing wisdom, the future is not here yet. As science fiction writers, we’re perhaps in a better position to see that than others.  Society is in a transitional phase, as physical entertainment media slowly give way to their digital equivalents. Physical distribution, cumbersome and expensive, is going the way of the buggy whip and rotary phone dial. The change has already started with the distribution of films and TV shows.

During this phase, writers and other creators are having their work distributed digitally without seeing any benefit at all. The excuse given is that this distribution is for promotional purposes only, but, in fact, the powers that be are using this transitional period to establish unfair precedents.  It’s the camel’s nose.  These precedents will hurt creators as digital distribution becomes the predominant method of distributing and accessing content. It’s as if book publishers of the early twentieth century had told authors that movies would be made out of their books, but they shouldn’t get any money because the movies wouldn’t be profitable and were being made just to promote the sale of books.

SFWA believes that writers should be paid a fair amount for each DVD and for each download of their work. If the work is used on the Internet in any way, the writer should be fairly compensated. This is a fundamental writers’ right, and it’s worth fighting for. WGA is staking its claim on the future, and SFWA supports it wholeheartedly.

Michael Capobianco
President, SFWA
http://www.sfwa.org
http://community.livejournal.com/sfwa

 
 
10 November 2007 @ 01:59 pm
Anyone involved in Media or Filmmaking: I Need Your Help!  
So, in light of this post, (to which I got a GREAT response, over 110 comments, thank guys) I decided that it would be a pretty cool idea to make a video or graphic or SOMETHING displaying why people support the strike. It would be so great to hear from people all over the country ( and maybe the world) who support the writers, the union, and fair pay.

I figured that making a compilation video discussing why everyone supported the WGA strike would put faces and stories to ths fight.

What do you guys think? Would there be anyone willing to help me out with this? I know how to work a cam, upload and create vids, but I am not so good on editing ad FX.

Any ideas or suggestions would be welcomed!!!

Let me know! You can leave a messge here or on in my personal journal!  
 
 
10 November 2007 @ 12:22 pm
Documentary Series Affected?  
Hey, does anyone know how/if this impacts semi-scripted documentary series, like Mythbusters or Human Weapon? My TV usually lives on History/Discovery family anyway, which are all about 75% (or more) reruns, so even if they are impacted, I probably won't notice too much. Just wondering.
 
 
Current Mood: curious
 
 
10 November 2007 @ 12:26 pm
 
Just out of curiousity, did the writers take any other steps before going on strike? I know that when teachers are close to going on strike they work straight to their contracts. They come in at 7 and leave at 3 and picket at lunch. I know it's different because teachers really don't want to strike and if they do strike it causes major headaches.

Also, can I just just say how I love the bad spin the media seems to putting on this? Now a days whenever a uninon goes on strike it's painted out to be an inconvent and selfish act. But most people don't realize that if it hadn't been for strikes and protests there would still be unsafe work enviroments and 7 day work weeks. Yes, they are only asking for more money, but they need that money to surivie. I lived in CA during the supermarket strikes and it seemed like everyone was blaming them when they just wanted helath insurance.
 
 
10 November 2007 @ 02:57 am
A hypothetical situation, and a more realistic situation  
Suppose I'm an indie producer working on a deal for a film project that requires a writer's participation through the project, for whatever reason. (For example, maybe it's the work of a writer-director with a record for heavy improvisation.) Suppose the deal is just about to close when the writers' strike throws the project into doubt. Could I close the deal and start the project on terms granting the writer a deal equivalent to the WGA's contract proposal as of October 31?

The risk to me, as the hypothetical producer, is that such a deal would make me a producer who gave the WGA what it wanted. Does the production side of the conflict expect producers to stand together? Would giving the WGA what it wanted piss off big studios to the point that they would pressure distributors into refusing to distribute my film, or even to the point that they'd blacklist me from big-studio work in general? Or even if the film wasn't blacklisted, would it become distribution poison because of the cost of paying the writers according to the WGA's proposal, instead of whatever compromise eventually ends the strike?

On the other hand, suppose I'm the writer of this project. Would a deal like the constitute a violation of WGA rules? If I'm a member would I be in trouble, or if I'm not a member would it threaten my ability to join at the point when I've otherwise qualified?

On a more realistic scale, suppose I'm a never-produced writer who is self-producing a short film, because short films don't make money and no one with any expectation of making money would ever touch a short film? Are there any pitfalls to proceeding with production on the short, either on the ability to eventually join WGA, or the ability to get paid for the short in the fantastically unlikely event that it found a distribution channel that paid?

 
 
09 November 2007 @ 11:47 pm
Nickelodeon/Disney  
Anyone know how the strike is affecting shows on Nickelodeon and Disney?
 
 
09 November 2007 @ 10:19 pm
Um excuse me but I have a question?!  

If shows run out of material and actors can't... Well act... Do they still get paid? (Scratching my head...)

 
 
09 November 2007 @ 08:21 pm
Personal Connection to the Strike?  
 Hey, all!

I wanted to know what your personal reasons for supporting the WGA strike!. I think that putting a story to some of your usernames would help me get to know you and why you support the strike. I also think that putting a face and a story to this WGA strike would really help to dissuade the myths that this strike is all about Steve Carrell and Tina Fey getting more millions.

I support the strike because my sister and I are filmmakers and screenwriters (we have a blog that details our filmmaking experiences here). We come from a very creative family, in which some of its members are screenwriters, entertainers, and former sports athletes. We feel a great connection to the strike because one day we will reap the benefits of belonging to this union. 

I support the strike because I believe that you should be paid for your work, whether it be manual or creative. 

So, [info]wga_supporters, what is your story?
 
 
09 November 2007 @ 08:02 pm
How would you counter this argument?  
From suggestions, I've been x-posting like crazy to all the LJ communities that I am a part of, and I've gotten some really good responses from the suggestions I've given them on the strike (including links back to this community, among others).

I got into a heated discussion in another community about the writers. It basically came 2-fold (and these are their arguments, as written):

The first:

burn hollywood burn
full disclaimer: i'm feeling heartless today. but yeah...i think i'll save my rancor for other more important labor movement issues. or other more important social issues in general. this is like a scene from the simpsons or something. sympathy for hollywood writers?!?! no thanks. besides, anything that forces 'til death, back to you and the rest of the crap hollywood has churned out recently to stop production is aces in my book.


How would you respond to those questions? I've already responded to those questions above (if you want, I can post my responses here) but these do seem to be semi-fair points.

What would you say if a friend/family member/co-worker didn't want to support the WGA because of these points?
 
 
09 November 2007 @ 08:08 pm
What Can We LJers do for the WGA?  
 I was talking with my sister [info]keeni84, and we thought that it would be nice to make a video/send something to the WGA East and West picket lines that show our support of them. We are already trying to start a letter-writing campaign, and we would go to the picket lines, but we live too far away. (Cleveland, ya'll)

I was thinking it would be nice to send a letter of support or something created/signed by us to let them know that the fans really do care.

What do you guys think? Any ideas would be appreciated, and I think it would be fun!
 
 
19 April 1970 @ 03:31 pm
actors?  
please forgive my asking before completing my own research, but what stance is the WGA taking on actors working right now? i had expected more shows to be on hiatus but Central Casting has a very interesting message on their line for non-union extras saying that the writers are expected to begin picketing but the agency expects us to honor our bookings, and there are a ton of calls for work on the line. are they asking us to cross picket lines? what assistance is the WGA asking for from other entertainment workers?

EDIT: Thank you all for responding. The question has been answered re: SAG, et al.'s "no strike" clause, and the shows currently in production were written before the strike, ie, are not scab-written shows, which was one of my main concerns.
 
 
09 November 2007 @ 04:55 pm
Just sent an email...  
Just sent an email to the Huffington Post. Someone earlier mentioned emailing the media so we can gain a little more attention. I was looking through their site and didn't see anything about the fans so I decided to write them. Anyone other media places I can send this to? Hopefully I did the LJ cut thing right. I don't understand LJ very well =D


 
 
Current Location: The Nati
Current Mood: awake
 
 
09 November 2007 @ 01:27 pm
Broadcasting TV in theaters question  
Many people are familiar with the cease and desist from the studios of showing tv programs (Buffy: Once More With Feeling being the most well known) even though the theaters had bought licenses from the studios allowing them to do this. We all figured this was related to the WGA negotiations that were going on at the time and that this was because a TV program was now being licensed/shown in an original format (theater instead of tv).

So now there is an upcoming "free" showing of Battlestar Galactica: Razor in theaters, by the studios. But nothing from the studios is really free and there is blatant advertising on the invitation that they are either using to fund this showing or even collect revenue for the theater attendee eyeballs. I am wondering if going to the showing:
a) supports the writers for their completed work or
b) is another way the writers are getting screwed due to the "new delivery format".

Any authority on that?
 
 
09 November 2007 @ 12:59 pm
Clarification, please?  
I've decided to talk about the strike as one of the assignments in my speech class (people forced to listen to me for 5 minutes. Perfect for proliferation of the cause) but need some clarification of numbers and details. I know that writers get 0.3% per DVD, but is that a percentage of the revenues minus overhead, or a percentage off the top? Also, who gets what percentage of revenues? I'm trying to put together a chart.

Also, in order to present a "fair" argument, any links to the studios' opinions?

Thanks!
 
 
09 November 2007 @ 01:36 pm
Questions About TV Ratings...  
I know many avid fans of shows such as Heroes, Supernatural, The Office, and so on are planning on becoming even more religious about watching episodes of their favorite programs on television (including reruns if/when it's appropriate) while simultaneously boycotting any and all reality TV shows. With this in mind, I'd like to have a few questions about viewership and ratings answered:

Can anyone explain where and how networks collect data on their shows?

For instance, is every single television set and what it's showing accounted for? Or are only certain people's viewing habits monitored? If that is the case, who are those people?

In other words, is there a way to know that the network's statistical information on a given show reflects my individual viewing habits?

If all viewer's habits are monitored, and I am a fan who is in support of the WGA strike, but I only watch a few hours of TV a week, will watching more shows/watching shows more often provide scripted programs more support?

And finally, I know DVD movie sales provide the writers with (an extremely limited) income, and online episodes of TV shows absolutely do not. But what about online digital movie sales/rentals?

This question is open to anyone who may know the answers. Thanks!
 
 
Current Mood: curious
 
 
09 November 2007 @ 11:37 am
Some questions  
Could someone who understands Hollywood/the scriptwriting industry explain some things?

I support the strike, and the WGA, and I've had an understanding of residuals for a while (like royalties, a deferred payment, not an "extra" payment), but a lot of the terminology being thrown around in all the blogging is new to me.

For example, WTF is a "showrunner?" (I get this mental image of a 18-year-old kid working as a gopher, running from set to set, delivering coffee and props. I gather from the blog posts I've read that this image is very, very wrong.)

And I've got no understanding of the job dynamics--I read [info]coppervale's post about getting in trouble for contacting his boss... and while I could understand the weirdness of that, and the arrogance of the execs came across, I don't know what the protocols are. Not even a little.

So... for those of us on the outside, wanting to be supportive--could someone explain how being a script writer normally works? Who do they work with? Who do they talk to, make deals with? What kind of terms are they contracted for--I don't need the exact details, but an overview would be good. What do the various terms being vehemently discussed mean? What's the difference between the "producers" at AMPTP and the "producers" of a show on a studio set? (Are there producers at the studio set?)

I'd love someone to write a "WGA basics" post.
 
 
09 November 2007 @ 10:48 am
It is not just about television  
The one thing I've noticed in the community is all the talk of boycotting television but how many of you are boycotting MOVIES this weekend?

The strike is not just about television but all residual issues for media and movies are a part of this.

This is the season that the studios put out their big holiday budget films and start their push for the Oscar race

Weekend box office is news making information (at least here in Los Angeles) and if a movie opens this weekend and makes 20, 30, 40 million dollars then that means the public is still not getting it.

How many people will still be renting movies this weekend because they have turned off their cable? It is all the same thing.

If you want to hit a studio where it hurts don't go to the movies.

I hate to say that. I have friends who have movies opening in the next few weeks and they have worked really, really hard on these projects and I would love to see them make as much money as they can for their dream projects BUT if anyone wants to get the point across then they need to be all in and not just turn off their television sets.

Don't just strike at a studio. Stand in front of the movie theatre on Saturday afternoon and get the public to understand.
 
 
 
 

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