Torchwood 2x08 A Day in the Death; Reposted from Intrepid; part 2
Continued from part 1




(Owen puts a hand on the wooden pier and pulls himself up. He rests there a moment.)

(Jack steps up to him and checks his wristband.)

JACK: Thirty-six minutes. Not bad.

OWEN: You were watching?

JACK: Skinny guy in tight jeans runs into water? I was taking pictures.

(Jack starts walking away. Owen quickly gets up. He’s dripping.)

(Jack stops and turns around.)

JACK: How long is this going to go on for, Owen?

(Jack turns and walks away from him.)

CUT TO:



INT. THE HUB – CONFERENCE ROOM

(Gwen leads the meeting with Jack, Ianto and Martha sitting at the table.)

GWEN: Ianto, what have you found out about Parker?

IANTO: I've identified some of the things he's purchased over the past year. We've
got a Dogon eye. A pair of Myakian wings, some meteorites. An Arcateenian translation of
James Herbert's The Fog. But there are a few things we've never seen before.

GWEN: So one of these is causing the energy spikes?

IANTO: Looks like it. And they're getting bigger, dangerously bigger.

GWEN: Well, okay we need to get in there.

(Gwen reaches across the table to hand Ianto a file. Ianto stands and leans over the table
to get it.)

GWEN: Parker employs a Mr. Philip Farrington to run security. There's at least six
guards, CCTV everywhere, all of which we can bring down by taking out the generator. But
then there's these ... (They turn to look at the monitor.) ... heat sensors.

MARTHA: As in body heat?

GWEN: Yep. Solar-powered. There's one on every doorway, every window.

IANTO: So, how do we get past them?

OWEN: (o.s.) Sounds like you need a dead man.

(They turn and find Owen standing in the doorway, a towel draped around his neck, his hair
still damp. His pinky finger is bandaged up as well.)

OWEN: Someone with no body heat.

(He walks into the room.)

OWEN: What have you got to lose?

(He looks at Jack. Jack looks at him, measuring him. He motions to Ianto.)

(Ianto offers Owen his gun back. Owen takes it. Jack nods.)

(Footsteps approach. It’s Toshiko. Owen turns around.)

OWEN: Tosh?

(She offers his keys back to him.)

TOSHIKO: I turned your telly off.

(She leaves the keys with him and she walks away.)

CUT TO:



EXT. ROOFTOP – NIGHT (PRESENT)

(Maggie and Owen talk. Maggie sits on the roof wall, her back to the edge as she faces
Owen.)

MAGGIE: You screamed at her, you said all those things, and that's it?

OWEN: That's Tosh. Always the professional.

(She hops off the roof wall.)

MAGGIE: I don't care. I'm not interested in you, in old men or, or alien meteors. I
came here because my husband died. I just want to jump.

(Owen looks at her and nods. Suddenly, he grabs her and rushes toward the edge of the
roof.)

OWEN: Let's get on with it!

MAGGIE: (shouts) Get off me!

(He lets her go.)

OWEN: You, you're too scared.

MAGGIE: Aren't you? (Owen doesn’t answer her.) How did ... how did you get
from that to here?

(The sirens wail below.)

(She looks at him.)

MAGGIE: What happened?

CUT TO:



EXT. OUTSIDE PARKER RESIDENCE – NIGHT (EARLIER)

(Martha talks with Owen. Jack watches behind her with the monitors they’ve set up.
Owen is wearing a jacket with the hood over his head.)

MARTHA: If you hurt yourself, you will not recover. Like I said -- any bruises you
get, they're not going to heal. Do not engage in physical combat -- one punch you're gone.
Be careful.

OWEN: I understand, I'm made of glass.

(Owen turns to head out.)

MARTHA: Owen?

(He stops and looks at her.)

MARTHA: Just take care.

(He nods, then turns to head out when Jack stops him.)

JACK: Oh, and ... uh ... you'll need this.

(Jack tosses a white cloth to him. Owen looks at Jack.)

(Owen nods, then turns to go.)

(He runs down the path along the bushes.)

CUT TO:

TOP VIEW DOWN on the estate pool. A security guard walks along the edge of the pool. PULL
BACK to show the large wall bordering the estate and Owen making his way on the outside of
the wall.

(Owen stops outside the gate and looks in. He presses his back to the stone wall.)

TOSHIKO: (from comm) Owen?

(Owen turns his comm on.)

OWEN: (quietly to comm) Yeah ... Hi, Tosh.

TOSHIKO: (from comm) Okay, the power in the house is supplied from one private
electrical generator. There's a backup unit but take the main one down and you've got one
minute, twenty of blackout time.

(The security guard walks past the gate.)

OWEN: Can you get rid of one of the blokes here?

IANTO: It might look a bit suspicious if there were two phone calls.

OWEN: Try and make it the big one, okay?

(The two guards circle around the pool in a routine manner. Something shrieks in the
night. One of the guards turns and looks.)

(A cell phone rings. The guard turns and looks at the other guard.)

(Owen also turns and quickly glances at the guard nearest the gate whose phone is ringing.
The smaller guard answers his phone.)

OWEN: (quiet) Arse.

BEN TAYLOR (GUARD): (to phone) Hello?

INTERCUT WITH:

INT. THE HUB -- WORKSTATIONS

(Gwen is on the speakerphone.)

GWEN: (to phone) Mr. Taylor?

BEN TAYLOR (GUARD): (to phone) Yeah, that's right. Who's this?

GWEN: (to phone) I'm calling from St. Helen's Hospital. Mrs. Christine Taylor was
brought in an hour ago. She's been involved in a car accident.

(The other guard approaches Ben Taylor.)

BEN TAYLOR (GUARD): (to phone) Is she hurt?

GWEN: She's going to be fine, but she's asking to see you.

BEN TAYLOR (GUARD): Of course, I'm on my way.

(He hangs up.)

GUARD 2: You all right?

BEN TAYLOR (GUARD): It's Chrissie, she's been in an accident. Look, I've got to go.

GUARD 2: Yeah, of course.

(Ben leaves. Owen quickly moves to the other side of the gate. The remaining guard looks
around.)

GUARD 2: (to radio) Mr. Farrington? Ben's had to go. His wife's been in an
accident.

(The guard walks out of the pool area through the gate. He passes Owen without seeing him.
Owen runs in through the gate, passes the pool and quickly up the lawn.)

(Owen makes his way cautiously along the wall of the greenhouse building.)

(He reaches the main lawn and stops for a moment, then continues toward the electrical
box.)

OWEN: (quietly, to comm) Okay, guys, I'm here.

(He opens the electrical box. The hinges squeak.)

(A guard walks up to him from behind.)

GUARD: Move away from there.

(Startled, Owen turns around to find the guard walking up to him.)

GUARD: (grabs Owen) I said!

(Owen kicks the guard. The guard falls to the ground. Owen takes out the white cloth Jack
gave him. He looks at it and sees it’s a t-shirt complete with toon boy and dog:
TINTIN.)

OWEN: (groans) Yeah, okay, guys. Very funny.

(Owen wraps the shirt around his hand just as the guard starts to get up.)

GUARD: Argh!

(Owen pulls his gun out and the guard stops.)

OWEN: No, no, no. Do you want to see what I can do?

GUARD: What?

(Owen turns and sticks his shirt-wrapped hand in the electrical box and shorts it out. The
lights in the house flash. Owen grins.)

OWEN: Woo!

(Owen pulls out the main cable. The power goes out completely.)

OWEN: I'm dead already, mate.

FARRINGTON: (over radio) Webb? Dave, are you there?

(Before he can answer, Owen kicks him and knocks him out.)

GUARD: Oh!

TOSHIKO: (from comm) One minute, twenty until the backup generator comes online.

(Owen turns and runs toward the main house.)

FARRINGTON: (from radio) This is Farrington to all units. The backup generator will
be running in 45 seconds. Stay at your posts, please.



INT. MAIN HOUSE – FRONT DOORS/FOYER -- NIGHT

(Owen reaches the front doors and kneels in front of the glass.)

FARRINGTON: (from radio) Mr. Parker's personal generator is unaffected.

TOSHIKO: (from comm.) Sorry, Owen, they've obviously had some work done.

(He pushes the front doors open and steps cautiously into the house. As he walks in, he
notices the green sensor lights on the floor.)

OWEN: Heat sensors.

(He waves his arm direction in its path. Nothing. He looks at his hand.)

OWEN: I am literally too cool for school.

(He turns his flashlight on and looks around. He makes his way into the house.)



INT. MAIN HOUSE – FIRST FLOOR HALLWAY -- CONTINUOUS

(Owen makes his way through the hallway.)

OWEN: Right, I'm in.

TOSHIKO: (from comm.) Okay, the energy reading seems to be coming from the first
floor. A room at the back of the house.

OWEN: Can you give me anything else?

TOSHIKO: (from comm) No, the energy source is playing havoc with the system, sorry.

OWEN: No worries. I'm getting used to being in the dark.

(Owen reaches a room that looks like the kitchen. The power switches on and the lights
power up.)

(Owen runs.)



INT. MAIN HOUSE – STAIRS-- CONTINUOUS

(Owen starts up the stairs.)

(A security guard appears at the top of the steps behind Owen.)

SECURITY GUARD: Hold it there.

(Owen stops. He pushes his hood back and looks at the security guard at the top of the
stairs, measuring him.)

OWEN: Evenin'. Nice place you've got here. (starts up slowly) Love what you've done
with the pictures.

SECURITY GUARD: Who are you? Why aren't the sensors picking you up?

(There are sensors at each corner of the window Owen is walking past.)

(The guard starts getting nervous. Owen continues up the stairs.)

SECURITY GUARD: Okay, stop! Stop or I'll shoot.

OWEN: No, you won't. You're a security guard. Come on, that gun’s just for
show, innit?

(Owen continues up the stairs.)

OWEN: Do you know what a bullet does to a living person? It's not like a knife
through butter, no, no, no, no. It rotates, tears into the flesh and the gooey stuff
behind ... it rips into the organs, and, ooh, it's not nice.

(Owen is nearly to the top of the stairs.)

OWEN: But anyway, I haven't got any body heat. You must know what that means? You
can't kill a dead man.

SECURITY GUARD: What are you?

OWEN: I'm wrong.

SECURITY GUARD: What are you?!

(Owen shows him his broken left hand.)

OWEN: I'm broken. I'm Dr Owen Harper.

(Owen grabs the gun away from the security guard.)

OWEN: And I'm having one hell of a day.

(Owen smashes the gun into the security guard’s face, knocking him out. Owen steps
over the guard, drops the security guard’s gun near him and takes his own gun out.
The cartridge clicks as he snaps it in place.)



INT. MAIN HOUSE – HALLWAY-- CONTINUOUS

(Owen starts down the hallway, his gun held out in front of him.)



EXT. OUTSIDE PROPERTY

(Jack and Martha wait.)



INT. THE HUB – NIGHT

(Ianto and Gwen wait.)



INT. MAIN HOUSE – ROOM-- CONTINUOUS

(Owen continues through the hallway. He checks the first door, then continues.)

(Owen reaches the end of the hallway. He opens the door and enters the room. In the room
is a shelf with various items on display. Owen looks at the items. Whatever he’s
looking for isn’t there. He turns and looks at a second shelf with more items on
display. Again, not there.)

(Owen lifts his gun and heads for the door at the back of the room.)



INT. MAIN HOUSE – PARKER’S BEDROOM-- CONTINUOUS

(Owen opens the door and finds Parker’s bedroom – a large mosquito net-covered
bed in the middle of the room with various medical equipment and monitors around it.)

(Owen walks in. Henry Parker is on the bed, seemingly asleep. Owen turns to look at some
items on display on a shelf.)

HENRY PARKER: Yes?

(Owen is startled. He turns and finds Henry Parker awake. A heart monitor beeps steadily.)


OWEN: It's okay, mate. I'm not going to hurt you. I'm a doctor.

HENRY PARKER: You're a very violent doctor. I've been watching you.

(Parker lifts his hand and indicates the security monitors set up nearby. Owen pushes the
netting aside to look at the old man.)

OWEN: Henry Parker, yeah?

HENRY PARKER: You're Torchwood, yes?

INTERCUT WITH:

(Outside, Jack and Martha listen.)

HENRY PARKER: (from Owen’s comm) Did the American send you?

(Martha turns and looks at Jack. Jack looks at Martha.)

OWEN: Yeah, he sent me. How do you know so much about us?

HENRY PARKER: They could've sent that Japanese girl, I like her.

INTERCUT WITH:

(In the hub, Toshiko listens and is surprised.)

OWEN: Yeah, well, I'm sorry. You got me.

HENRY PARKER: Is she ... uh ... on your phone thing? That earpiece?

OWEN: Yeah.

HENRY PARKER: (to Toshiko) Hello! Just to say you've got very lovely legs. (Toshiko
smiles.) You should show them off more.

(Parker coughs.)

OWEN: What's wrong with you?

HENRY PARKER: Three heart attacks and a failed bypass. But I'm fine, because I have
this.

(Parker takes out the alien device hidden under his covers. It looks like a large shell.
It glows, pulses with light and emits a hollow sound.)

HENRY PARKER: It's called ‘the Pulse.’

OWEN: You know what it is?

(Owen takes his backpack off and opens it.)

HENRY PARKER: I named it. It's keeping me alive. (Owen takes his hand-held device
out to measure the energy readings.) No! You're not taking it.

(Owen takes his readings.)

OWEN: It could be dangerous. We've been detecting massive energy readings.

HENRY PARKER: I don't care. All I know is, it works.

OWEN: Well, I'm sorry, it doesn't.

HENRY PARKER: What?

OWEN: The energy isn't going into you. The power's just building up inside that
thing, that's what we've been detecting but ... it isn't actually doing anything for you.

HENRY PARKER: You're wrong. I can feel it. No, no. I'm not going to die.

OWEN: Listen, please. Listen to me. There are loads of people’s lives at risk.
If that explodes, then we don’t know what the fallout will be.

HENRY PARKER: You're young. You don't understand what dying feels like.

OWEN: Believe me, I do. I really do.

HENRY PARKER: There's nothing there!

OWEN: Where?

HENRY PARKER: On the other side, nothing. I'm dying. Take away my Pulse and I'm
gone, my body decomposing.

OWEN: You can't stop it, Mr. Parker. I'm sorry, but it's going to happen one day.

(Owen pulls up a chair and sits down next to the bed.)

HENRY PARKER: It’ll be dark and I'll be alone.

OWEN: Where are you now? It's dark and you're all alone, so what's the difference?

HENRY PARKER: I don't understand what's keeping me here.

(Parker coughs. The monitor alarm beeps. Owen puts the oxygen mask on Parker and lets him
breathe in deep. After he’s calmed down and the monitor alarm stops, Owen removes the
oxygen mask.)

OWEN: It's hope. That thing ... it's just hope. Do you really think all this is
better than death?

HENRY PARKER: It's got to be. It is better!

OWEN: You're just scared of the darkness. Join the club. Trust me. I know how shit
everything can be.

HENRY PARKER: Eh ... Don't you sit there pontificating, you're just a boy. What do
you know about anything? I've traveled the world. I fought in the war. Started my own
business. I made a fortune. Married. Widowed. My collection, all of it. I've done so much
and this is where I ended up. Alone. Lying in my own piss and do you know what I want?

OWEN: Clean sheets?

HENRY PARKER: I want a steak. Medium rare. Black pepper sauce. Look at me! Fed
through a tube. I might as well be dead already. (The Pulse keens.) (softly) I might as
well be dead. Why don't you take it?

(Parker lifts the Pulse and offers it to Owen.)

HENRY PARKER: (softly) Take it.

(Owen takes it from him and sets it aside on the bed.)

OWEN: Well?

HENRY PARKER: Oh, Christ, it's dark, I'm alone, I'm so alone.

(Owen reaches for his hand and holds it.)

OWEN: It's all right, I'm here with you.

HENRY PARKER: Uh. I'm still stuck here, though. In this bed, in the dark.

OWEN: You know what? I'm going to come back. You and me. We're going to face all of
this together. I'm going to help you.

HENRY PARKER: Torchwood, if you come back, you can tell me all about it. Tell me
what it's like. I want to hear about the aliens and everything! I need ... I need to know
that there's more out there. That this isn't all there is. (Off Owen’s hesitant look)
Oh, come on! I'm dying, who am I going to tell, the Angel Gabriel? If you come back, I
won't tell the Japanese girl that you're still holding my hand.

OWEN: Well, maybe.

(Parker smiles. He starts coughing and the heart monitor flatlines. Owen turns and reaches
for the oxygen mask. He puts it on Parker’s face.)

OWEN: Deep breath.

(Owen turns and presses the buttons on the machine.)

OWEN: Mr. Parker?

(The heart monitor flatlines. Parker doesn’t respond. Owen sets the oxygen mask
aside.)

OWEN: Henry?

(Still no response. Owen gets to work. He turns and checks the monitors. He checks Parker
for a pulse and removes the pillow from behind his head. He starts chest compressions and
leans in to give him mouth-to-mouth when he stops.)

(He has no breath to give him.)

(He lifts his hand to his mouth. No breath. Owen hits the bed in frustration.)

OWEN: I'm sorry. I’m so sorry!

(Owen puts his head down in frustration and despair.)

OWEN: (PRE-LAP, v.o.) I couldn't save him.



EXT. ROOFTOP – NIGHT -- PRESENT

OWEN: He needed to give him air but I couldn't. I've got no breath! Everything I've
seen, everything that's out there and it was an old man dying of a heart attack. It was
just another person dying because of me. (Owen climbs up on the wall and stands up.)
Everything that's happened and that was the final straw. Because at that moment I just
wanted it all to end.

TOSHIKO: (PRE-LAP, from comm.) Owen.

(Owen closes his eyes.)



INT. MAIN HOUSE – PARKER’S BEDROOM-- CONTINUOUS

(Owen’s head is down on Parker’s chest. The Pulse is glowing dangerously bright
next to him.)

TOSHIKO: (from comm.) Owen, can you hear me?

(Owen doesn’t respond.)

INTERCUT WITH:

INT. THE HUB

TOSHIKO: (firmly) Owen, come in!

(Owen stirs.)

OWEN: (mumbles) Yeah, yeah, I'm here.

TOSHIKO: The device? Is it doing anything? (Owen glances at the Pulse.) Because the
energy levels coming from it are ... Owen? It's going off the screen.

INTERCUT WITH:

(The bright light on Toshiko’s monitor grows brighter and brighter with waves of
energy emitting from the source.)

TOSHIKO: It's going to explode!

INTERCUT WITH:

JACK: Tosh? What can we do?

TOSHIKO: Nothing! There's nothing!

(Gwen and Ianto head toward Toshiko.)

(Owen reaches for the Pulse. He’s strangely calm about it.)

OWEN: It's okay. I'm going to hold it.

JACK: Owen, what are you doing?

OWEN: (from comm) See if I can absorb it.

TOSHIKO: Owen, the energy reading's off the scale. You won't survive.

(Owen tucks the Pulse in the crook of his arm and cradles it close to his body.)

OWEN: It's okay. These things happen.

MARTHA: There must be something we can do.

OWEN: (from comm) Martha, Martha.

MARTHA: Owen?

OWEN: If it destroys me, they're going to need a new doctor. You've got all the
credentials: medical skills, a cracking arse.

(Toshiko, Gwen and Ianto listen. Everyone is quiet. He means it.)

OWEN: Jack? If you even attempt to bring me back again. Gwen, Ianto, it was fun.
Honestly, thank you. Tosh? (silence) Tosh? Come on, answer me.

TOSHIKO: Owen.

OWEN: I'm sorry.

(beat)

TOSHIKO: I love you.

(Waves of colored light float out of the Pulse as it grows and ribbons out ... reaching.
Owen closes his eyes and holds onto the Pulse.)

(The light continues to grow and reach out past Owen.)

FADE OUT.



EXT. ROOFTOP – NIGHT – PRESENT

(Owen and Maggie are up on the roof.)

MAGGIE: What happened?

OWEN: We all assume life's going to be shit, don't we? That it's all just darkness.
But you know what? Sometimes, it's not.

(Owen gets off the wall. He kneels and opens his backpack on the ground. He takes out the
Pulse. Bursts of ribbons of light continue to fluctuate out from the device. He turns and
shows it to Maggie. She kneels to look at it, enraptured by it.)

MAGGIE: What is it?

OWEN: Do you remember in the '70s, NASA sent messages into space? A map of our
solar system, pictures of what we look like. It had images and voices, music. Even a bit
of Chuck Berry. Well, this is a reply, not that we know who from.

MAGGIE: What does it do?

OWEN: It sang to me.

(He holds it up to her. A ribbon of light reaches out from the device. It floats and waves
back and forth between them.)

OWEN: It's a glimmer of light in the darkness. See? Sometimes it does get better.

(They take a moment and watch the light.)

CUT TO:



EXT. CARDIFF CITY LIGHTS (STOCK) – NIGHT



EXT. THE PLAZA – NIGHT

(Jack, Owen and Martha get out of the SUV. Gwen and Ianto join them. Owen turns and helps
Martha out of the back seat.)

OWEN: Well, I'm sorry, Dr. Jones. No vacancies in Cardiff just yet.

MARTHA: That's okay. I reckon you're ... I was going to say "fine," but
you're a hell of a lot more than that.

OWEN: Thank you. For everything.

(Owen kisses Martha on the cheek. He gives her a hug.)

JACK: (interrupts) Oi!

(Jack smiles.)

MARTHA: That’s what I'm here for.

(Martha goes over to Gwen, who gives her a hug.)

GWEN: You take care.

MARTHA: Okay.

(Martha gives Ianto a kiss on the cheek. She turns to Jack.)

MARTHA: Well, it's been ... interesting.

JACK: Oh, it's been fun. (soft) You know it has.

(Martha surprises Jack and kisses him.)

(She steps back and he looks at her curiously.)

MARTHA: (chuckles) Well, everyone else has had a go.

(He cups her cheek and looks at her seriously.)

JACK: You can so come back anytime.

MARTHA: Well, maybe I will. One day.

(She taps her fingers to her forehead in a salute. Jack salutes her.)

(Martha walks away with her bag and case.)



INT. THE HUB – NIGHT

(Toshiko and Owen sit on the couch and talk.)

TOSHIKO: Promise me something.

OWEN: What's that?

TOSHIKO: No more locking it all away. You tell me when it's bad. Share it with me.
Okay?

OWEN: (nods) Okay. Tosh, I'm scared. I'm scared that if I close my eyes I'll get
trapped, in the darkness.

(She holds onto his arm.)

TOSHIKO: I'm here.

(Owen thinks about it for a moment, then puts his hand on hers. She puts her other hand on
his.)

CUT TO:



EXT. SIDEWALK – NIGHT

(Owen is walking along the sidewalk.)

(As he walks, something flutters to the ground right in front of him. He picks it up and
finds that it’s a folded photo of a man and woman.)

(He thinks about it for a moment. Where could it have come from? He looks up and sees a
young woman on the edge of the rooftop.)

OWEN: (v.o.) And that's when I saw you.



EXT. ROOFTOP – NIGHT-- PRESENT

MAGGIE: I thought you came here to jump?

OWEN: No, I came here to help.

(He returns her folded photo back to her. She takes it and opens it.)

MAGGIE: What do I do now?

OWEN: You've got a choice. If you think that the darkness is too much, then go for
it. But if there is a chance, just some hope. It could be having a cigarette, or that
first sip of hot tea on a cold morning, or it could be your mates, if there's even a tiny
glimmer of light then don't you think that's worth taking a chance?

(Maggie’s quiet.)

OWEN: What's your name?

MAGGIE: Maggie. Maggie Hopley.

(With his free hand, Owen holds Maggie’s hand. In his other hand, he’s holding
the Pulse which has now blossomed with even more ribbons of light.)

OWEN: Well, Maggie, it's up to you. Your choice.

(Owen looks at the Pulse.)

OWEN: Do you still want to jump?

(They stand there together.)

OWEN: (v.o.) My name is Owen Harper and this is my life.

(The ribbons of light reach out and grow from the Pulse. It zooms out, twists, curls and
reaches out toward the city.)

FADE TO:



[TITLE LOGO]

INSERT: PREVIEW FOR NEXT EPISODE

ROLL END CREDITS

FADE TO BLACK.

==========================
END OF EPISODE
==========================

Transcript by intrepid
Beta: DianeM


Contact the Transcriptionist at intrepidly002@yahoo.com

As a courtesy, do not archive this transcript without written permission from the Transcriptionist.

==========================
TITLE/OPENING CREDITS
==========================
TORCHWOOD
2X08: A DAY IN THE DEATH
ORIGINAL AIR DATE IN UK: 02/27/2008
TRANSCRIBED FROM UK (DL)

Starring:
JOHN BARROWMAN as Captain Jack Harkness
EVE MYLES as Gwen Cooper

BURN GORMAN as Owen Harper
NAOKO MORI as Toshiko Sato
GARETH DAVID-LLOYD as Ianto Jones

with
FREEMA AGYEMAN as Martha Jones

Created by: RUSSELL T DAVIES

Producer: RICHARD STOKES

Written by: JOSEPH LIDSTER
Directed by: ANDY GODDARD


==========================
END CREDITS
==========================

CAST & CREW

JOHN BARROWMAN as Captain Jack Harkness
EVE MYLES as Gwen Cooper
BURN GORMAN as Owen Harper

NAOKO MORI as Toshiko Sato
GARETH DAVID-LLOYD as Ianto Jones
KAI OWEN as Rhys Williams
FREEMA AGYEMAN as Martha Jones



RICHARD BRIERS as (Henry John) Parker
CHRISTINE BOTTOMLEY as Maggie (Hopley)
LOUIS DECOSTA JOHNSON as (Phillip) Farrington
BRETT ALLEN as (Ben) Taylor
GIL KOLIRIN as Webb



Co-Producer: CHRIS CHIBNALL

1st Assistant Director: RICHARD HARRIS
2nd Assistant Director: LYNSEY MUIR

Location Manager: NICKY JAMES
Unit Manager: GERAINT HAVARD JONES
Production Manager: STEFFAN MORRIS
Production Co-ordinator: HANNAH SIMPSON

Purchasing Assistant: RHYS EVANS
Continuity: LLINOS WYN JONES



Music: MURRAY GOLD (theme)
Music: BEN FOSTER (incidental)

Visual Effects: THE MILL
Visual Effects Producer: MARIE JONES
Visual Effects Supervisor: BARNEY CURNOW
Special Effects: ANY EFFECTS

Editor: RICHARD COX
Production Designer: EDWARD THOMAS

Director of Photography: MARK WATERS
Production Executive: JULIE SCOTT
Associate Producer: CATRIN LEWIS DEFIS

Executive Producer: RUSSELL T DAVIS
Executive Producer: JULIE GARDNER



A BBC Wales Production

bbc.co.uk/torchwood

(c) BBC MMVIII

Dated:04/15/2008~lky