Pictures from Poultrygeist's Buffalo Premiere, last night [November 8th 2008 at 4:10pm] mienaikitsune [ mood | wired ] ( Under the cut ) :: Eat! ::

Poultrygeist in Buffalo FTW [October 30th 2008 at 12:55pm] mienaikitsune [ mood | ecstatic ] Poultrygeist will be playing in Buffalo for One week only 11/7 - 11/13 Premiere 11/7 at 7PM with Lloyd Kaufman in person Market Arcade Film & Arts Centre 639 Main Street Buffalo, NY 14203 716-855-3022 Official site :: 1 Zombies :: Eat! ::

POULTRYGEIST: The Original Motion Picture Soundtrack CD/DVD coming soon! [September 28th 2006 at 11:33pm] mienaikitsune FOR IMMEDIATE RELEASE: Troma Records is proud to announce the release of "Poultrygeist: Night of the Chicken Dead" The Original Motion Picture Soundtrack CD/DVD Special Edition! The plucking awesome musical line-up includes the super-catchy Poultrygeist Theme Song by Calamari Safari, an egg-sclusive new track from Jersey Punk Legends The Nihilistics, Five Truly Fowl Original Musical Numbers from the movie and more finger-licking good tracks by The Dwarves, The Obscene, Zombina and the Skeletones, Baxendale, Covered in Bees, Impaler, Potshot, The Peacocks, Dan Potthast, Dingleberry Dynasty, Purple Pam, Count Smokula and many more! The Poultrygeist Soundtrack also includes a bonus DVD featuring an egg-sclusive sneak beak at the first five minutes of "Poultrygeist: Night of the Chicken Dead"! The first 500 copies pressed will be personally signed and numbered by Troma President, Creator of the Toxic Avenger and Director of Poultrygeist Lloyd Kaufman! "Poultrygeist: Night of the Chicken Dead": The Original Motion Picture Soundtrack will be available this fall from Troma Records! :: Eat! ::

POULTRYGEIST! Attacking Theaters October 2006! [June 19th 2006 at 9:44am] mienaikitsune The editors of Entertainment Weekly are screaming: "Skeletons being tossed in a dumpster, possession by chicken spirits, a lesbian make-out, and a worker being chewed up by a meat grinder... Now we're talking!" in their four-page photo-filled feature. The New York Press warns "It will destroy any of the good feelings you still have about the fast food industry!" After seeing the trailer, Ain't It Cool News raved "One of the funniest things you're likely to see this eve... so damn fun it's almost impossible not to enjoy!" The first AICN reviews of the film itself hail it as "a masterpiece... It's like FAST FOOD NATION meets SHAUN OF THE DEAD" and "completely gruesome, extremely tasteless and hilarious... the closest we've come to the final onslaught of BRAIN DEAD!" Egg-cellent. And The New York Times, New York Magazine, Fangoria, Canal+, Fox News, SuicideGirls, Los Angeles Daily News, CNN's Showbiz Tonight, The WB, CBS Radio, and newspapers and magazines around the world can't stop talking about it! The bulk of 2005 was spent working 18-hour days, 122-hour weeks, sweating blood as Producer on this 35mm chicken-zombie musical satire, directed by legendary maverick filmmaker Lloyd Kaufman. It's not due out until Fall, but the rough cut is glorious. Plus, it's already been bought by Russia and Denmark -- how can the homelands of Hans Christian Andersen and Tatu be wrong about something so right? It's Poultrygeist! Night of the Chicken Dead!, a fromage to Takashi Miike is the next planned offering in Troma Entertainment's thirty-plus-years-long tradition of wildly successful low-budget, high-concept, one-of-a-kind cinematic creations designed to satisfy the hunger for reel entertainment. :: Eat! ::

[February 25th 2006 at 11:50pm] mienaikitsune [ music | "*~Asterisk" ~Orange Range ] I wrote this in the spur of the moment, while writing an e-mail to Allyson. I lie here in my bed, In the winter That's colder than the dead. I remember a few months back The sun was shining brighter Than a bad make-up job on Ben Affleck I can't help but to smile As I look through the memories That lay here in this pile. I had such a great time in that small burg I wouldn't replace any of it Even the things that were the most absurd. We met so many people that were great While we heard Those two constantly debate Now life has gone down the drain, it really sucks But I still have an urge for something I don't know why, but I still yearn for brains, CA-BUCK! The snow has come, but big old Jack Frost can jam it I would love it to be summer again, to repeat everything I remember a quote you told us, "I'm a girl, dammit!" The fact of the matter is that I miss all of you :: Eat! ::

[February 4th 2006 at 10:44pm] mienaikitsune What have you all been up to? :: 2 Zombies :: Eat! ::

[October 11th 2005 at 9:16am] mienaikitsune I made my own movie posters for Poultrygeist, and would like to get your feedback on them, if I could. ( Under the cut ) :: 2 Zombies :: Eat! ::

[August 30th 2005 at 10:44am] mienaikitsune [ mood | tired ] Thanks go to my friend, Tom Waters, for sending me this interview. Getting A Word In Edgewise: An Interview with Cult Troma Director Lloyd Kaufman Lloyd Kaufman is, among other things, outspoken. The founder of Troma films and the director of such cult classics as The Toxic Avenger and Sgt. Kabukiman NYPD is an idea machine with a mountain of opinions and commentaries to match. His body of work is vast and the reach and influence of Troma in underground film culture is indisputable. I had the opportunity to speak with Mr. Kauffman while he was shooting his latest film, “Poultrygeist: Attack Of The Chicken Zombies” on location in Buffalo, New York. He was charming, quick witted and a very difficult subject to pin down. I’ve had interview subjects that took maximum effort to draw responses from. This wasn’t the case with Mr. Kaufman. Even after a full day of shooting, he had more pep in his step than a pit bull on methamphetamines. He is a well spring of ideas and notions, and I’m glad I had a chance to hang on for dear life and catch some of them. Lloyd Kaufman (LK): We’re big Acid Logic fans. I took a lot of acid in the ‘60s. We just wrapped a beautiful day of filming today for Poultrygeist in Buffalo. We had the general who runs the fast food establishment has to do a number two and instead he shits out a big egg and the egg hatches and this monstrous, kind of demon, chicken thing comes out and attacks him. Now how is it growing up with John Waters? Give him my best. He’s a good buddy of mine, actually. Tom Waters (TW):Why chicken zombies? LK: Well, I read a book called Fast Food Nation and the McDonald’s moved in next door to the Troma building, and the rats…have you read my book “Make Your Own Damn Movie?” You better say yes or I’m gonna hang up! Say yes even if you haven’t read it. You don’t need to read it. The book opens with me down in the basement of the Troma building battling these rats the size of Kielbasas. New York rats are pretty big and they’re very brave, they just come out and go “Pfft!” They lope! They have no fear. TW: Would you consider this a good bookend to “Supersize Me”? LK: Well, no, “Supersize Me” was more that the big corporations should watch out for us. No, we should fight them, we shouldn’t be in a position where these big conglomerates rule everything and an entire generation is obese. We shouldn’t have that. We Americans should be properly informed. The media shouldn’t be owned by five people. Or five giant mega-conglomerates. TW: We need more salads. LK: We need more Troma in our lives, if you ask me. We need more Acid Logic. More Night Life magazine. More... what’s your first name? TW: Tom... LK: More Tom Waters! Less water in the drinks, though. In Buffalo, you get good drinks over on Allen Street. They give you a pretty nice amount of gin and the gin is pretty good. TW: Mulligan’s Brick Bar is fantastic over there. LK: Yeah, I know Mulligan’s. We call it Tromulligan’s, actually. TW: What are the challenges of bringing in a movie on a small budget? LK: The key to Troma is that it’s kind of an art movement. You should come over to the Tromaville headquarters here in Buffalo. We’re in the church. We rented the church and the rectory that goes with it. You’ll see, we’ve got about 120 people living in it. Not that many, but a lot of people working in it and about 50 living in it, and in order to make a Troma movie you have to sleep on the floor, eat cheese sandwiches three times a day and learn how to defecate in a paper bag. TW: I know how to defecate in a paper bag already. LK: We have a lot of very talented people from all over the world here who have come on their own dime, they’re not paid, and they’re here purely to make art. The slogan of “Terra Firma”, the movie we made two years ago, is called- (actress walks past LK while he’s on cell phone) -Lisa’s a young student from the North Carolina school of the arts. She’s come all the way here. She’s an art director on her own dime making incredible art and is suffering for her art. TW: That’s a bit of a hike for her. LK: We’ve got people here from France, a person from Sweden is making zombie chicken Indian eggs and other special effects. We’ve got people from Japan, from Israel, from Germany, the United Kingdom, otherwise known as England, from Wales. Literally people from all over the world have come to learn the tradition of Troma film making. This is an art movement, here. I think that’s why everybody is here. It’s not about corner suites and money and sparkling water. I’m using my own money, too, which is something that the Hollywood people would never do. We care about what we’re doing. It’s 35 millimeter. TW: Would you compare yourself to other B movie legends like Russ Meyers, Ed Wood and Roger Corman? LK: Certainly. Roger Corman has been a buddy of mine for many years. He wrote the introduction to my first book, which is called “Everything I Need To Know About Film Making I Learned From The Toxic Avenger” published by Penguin/Putnam, one of those conglomerates we hate. TW: Penguin’s pretty good. LK: Yeah, we hate ‘em anyway. The penguin documentary’s pretty good. And penguin’s mate for life. I like loyalty. It’s very important in Tromaville. TW: The Toxic Avenger attacked a fast food employee in the first film… LK: Not an employee, the Toxic Avenger went after the bad guys who were holding up the fast food place. In those days, it was a Mexican place. We’re always for the under dog so we protect the Mexican food. TW: Well seeing that Poultrygeist revolves around a fast food chicken shack… LK: As I was saying, the McDonalds moved in next door and they did a lot of things we didn’t like. Then I read “Fast Food Nation” and I learned more about the outrage of the whole fast food industry, so this is more inspired by my own experiences of having a neighbor to the Troma building, and then the points raised in “Fast Food Nation”. P.E.T.A., the people for the ethical treatment of animals, have been a big influence on my own life. I became a vegetarian because of them. TW: Your opinion on the evolution or devolution of horror films and schlock movies: LK: I think when the director is given total freedom, and certainly George Romero is probably one of the most under rated American directors period, when he is given total freedom, he creates some amazing movies, like his first film “Martin”. He’s every bit as good as Chabreau or Eric Romao or any of the other great French auteurs. TW: There’s too much of a studio machine these days. LK: Well, there’s too much movies by committee, but when you spend a hundred million dollars, which is the average budget these days in Hollywood on one movie, and another fifteen million to market it, you have to try to please all people at all times and you’re sort of making baby food. You can live on baby food but it’s very boring. At Troma, we’re making jalepeno peppers. Cultural pizza. TW: I love jalepeno peppers. LK: Well there are a lot of people who do! Those are our fans. TW: The Exorcist, American Werewolf In London, or The Reanimator? LK: All fine, fine movies without a doubt. But I’d say things like Todd Browning’s “Freaks” and “Dr. Caligari” and Fritz Lang and with “Frankenstein” James Whale had a wonderful sense of humor. “Frankenstein”, “Bride Of Frankenstein”, Romero, certainly Roger Corman’s a big influence. You mentioned somebody else…oh, Russ Meyer without a doubt. He’s very witty and his films are very amazing. I mention a lot of that stuff in my first book. TW: I saw “Gods & Monsters” a couple years ago and thought that was underappreciated. LK: Yeah yeah, it’s an excellent, excellent movie. TW: How many sci-fi/horror conventions have you paneled at/attended/spoken for and what were your experiences? LK: The conventions are a very important way for me to be interactive with our fans. The fans very often tell me what to do. The fans are the ones who told me to go into DVD. Troma was probably the first studio to use DVDs interactively with the interactive tour of Troma studios as the bonus material or the Troma Intelligence Test. The major studios still aren’t using the interactive qualities of DVD. The fans told us about DVDs and we were making them long before the majors were doing it. And the internet, too. Troma’s probably the first studio to have a web site. 1993, I think we started it. And the fans were the ones who told us to do it. And our fans also with “Citizen Toxie” told us at conventions or at book stores where I’d be signing my books and during the Q & A they’d say “What would happen if Sgt. Kabuki man fought the Toxic Avenger?” Every place I went they wanted to know, so that’s why we put that in “Citizen Toxie”. That’s why we came up with the alternate universe, the evil doppelgangers, the evil Kabuki Man, cause Toxie’s a good guy and how can he fight Kabuki man if he’s also a good guy? So that’s why we had to have the Noxious Offender. But our fans were the ones who put that idea in my head. The conventions give you a good chance to hear what the fans like and what they don’t like and also to find out what’s going on. To keep in touch. I think a lot of big stars forget to do that. A lot of directors get caught up with the system and the swimming pools and they get shielded from realities of life. They stop going to movies, they stop reading books and they end up making shite. TW: And like Tom Cruise until recently, they get shielded from real life. LK: His body of work is very fine. You can’t knock his body of work. He’s had a lot of fine movies. Everything from Kubrick to many other things. TW: What were the first years after Troma was founded like from a financial and marketing perspective? LK: Well, I was very influenced by the Cinema of the French and the cinematic process, so I always felt that one must be the auteur and the author of the film. As a film maker, you must control everything. So the trade off is to have a very small budget but to have total control over it. I mean, nobody has total control over it, but the kind of movies we make, there are no boundaries. We’re not making them to try and aim at the mass market. We’re black listed by everybody…very cool. We actually shot on budget today. We only shot 2,600 feet. We’ve been shooting 45% more film than we’re supposed to. That’s the one luxury when making a movie is shooting a lot of film. Even though we prepare and test, we preshoot and shoot the whole film on video before we shoot on 35 millimeter weeks and months in advance. Then we do a lot of improvising when we get to the set, so we burn a lot of film. TW: Do you think you’ll ever make a bigger commercially successful character than the Toxic Avenger? LK: Well, the Toxic Avenger in someone else’s hand, if Tom Warner had the Toxic Avenger it would have been a kabillion dollars in gross. But we’re blacklisted. There’s economic blacklisting in this world. We’re shunned. You’ll notice that every crappy movie’s been remade except for Toxic Avenger and it’s not gonna happen. TW: Well let’s hope that we don’t see him on the side of a McDonald’s cup in a cross-over movie promotion. LK: No, that won’t happen. Unless somebody gives me a shit load of money. I’m a whore. Economically blacklisted, you know that HBO is never going to play any Troma movies. We could come up with “Gone With The Wind” and we wouldn’t get it on anywhere. Blockbuster never takes any Troma movies even though they take a lot of stuff that’s far inferior. Even though our movies make money, because we’re independent and we don’t want our movies owned by anybody, we’re blacklisted, and that’s the big problem when you’re independent. TW: I’m working very hard to get blacklisted. LK: (laughs) We have a day off tomorrow but a day off for Troma means everyone just keeps working, we just don’t film. It’s a non-stop factory. TW: Do you have any amusing anecdotes about Kevin Costner, Sam Jackson, or Trey Parker and Matt Stone? LK: Trey Parker and Matt Stone are great guys. If you get the “Make Your Own Damn Movie” DVD boxed set you’ll see that they interrupted their work. I think Troma and the New York Times were the only interviews they gave when they were making Team America, and Trey has acted in “Terra Firma”, as has Matt, where they play hermaphrodites. Trey played a nice cameo in “Tales From The Crapper”, had his head squashed as a matter of fact. Those guys are stand up guys. They gave me an interview and the New York Times even though were under a time crunch because they had to get “Team America” out before election. They’re great to us, you know. TW: I just picked up “Orgasmo” on DVD a while ago and they’ve got a grasp of deadpan that you just don’t see too often anymore. LK: Did you notice who plays the doctor in the last scene? TW: I did not. I know Jill Kelly was in the scene... LK: You’re talking to him! I was the character that set up the sequel to “Orgasmo”. Trey told me that scene that I’m in at the very end of the movie is to set up the sequel. TW: They ran that at my local theater and the neighborhood church had it banned by the end of it’s first week. LK: There you go. See? At any rate, it’s a great movie and those guys are geniuses and everything they do is absolutely brilliant. The art of satire was very weak in this country until those guys revived it and Troma’s entire body of work is satire, but they’ve been able to get similar concepts and similar ideas into the mainstream which is wonderful. James Gun is a major player in the Hollywood scene and is writing scripts. He just directed a big budget movie called “Slither”. He’s contributing some wonderful, independent big budget movies to the mainstream, so there’s some very good Troma alumni out there who were a good influence on the mainstream and there’s a lot of good people out there, too who will be productive to the mainstream. TW: While Samuel Jackson seems to be just picking up a paycheck. LK: Yeah, I don’t think he’s…I’m very disappointed. We only financed his first film, by the way. I replaced the VP who’s now a big time director. He had to leave the film and I shot the end of it with the big monster. What the heck’s his name? He’s directed a lot of big movies now. At any rate, we did that, but basically, that movie wouldn’t have been made if it wasn’t for our money and I can’t say that Samuel Jackson has been terribly thankful about it. When he was on TV he made some crack about we owe him money or something. First of all, it wasn’t true, but he should have tried to keep the spirit of independent cinema alive rather than making fun of it. TW: Do you have a target date for “Poultrygeist”? LK: No, we don’t, because the nice thing about a Troma movie is that nobody wants it so we can take as long as we want to finish it. We don’t have to get “Poultrygeist” out for Christmas. That’s Peter Jackson’s job. He’s gotta get his big movie out for Christmas. We just keep going until the film is perfect, or at least in our sick heads perfect, and then we bring it out. “Poultrygeist” will probably play in about 300 theaters in the country, mainly independents, what they call calendar houses, where we might get a week or two in one of the theaters in LA and one in New York. We’re not going to get the kind of release that “Sin City” got. Even though “Poultrygeist” will be far and away better. TW: Any plans to do a world premiere in Buffalo? LK: I have every plan if Buffalo will permit us, we would love to do the world premiere here. I have every intention of making it happen, and may I also say that the Buffalo Office of Economic Development and Mark Strickland, the Buffalo Film Commissioner have been absolutely superb in understanding that a Troma movie is art and getting us here. They’re the ones who made it clear to us that they wanted us. Even though our movie’s low budget it’s still quite a bit of money that’s being spent in the local neighborhood. As I say, we’ve got 120 people working on this movie and they’re all eating and buying things at local stores, so it’s still a good thing for the community, not to mention the fact that we’ve got two or three hundred Buffalonians who are acting in the movie or on the crew or involved in the film in some way. It’s a very good moral builder for Buffalo. Thus far, it’s been a wonderful, wonderful place to make a movie. (At this point, at 10:15 pm, Mr. Kaufman says good night to his film crew as they are leaving after a full day of shooting) LK: I really think that those Hollywood movies may all have limos and whatever, but I honestly believe that we’re having more artistic satisfaction and camaraderie and there’s really a nice, knock on wood, experience. We call ourselves the Troma team. It’s a touching moment, you know? It’s great. It’s very, very nice. :: Eat! ::

[August 28th 2005 at 11:04pm] mienaikitsune [ mood | sad ] [ music | "Subarashiki Shin Sekai (Piano Version)" ~Yuzo Koshiro ] I've said it before, and I'll say it again. The pictures on the Cast section of the Poultrygeist site don't do them justice. Allyson, Kate and Rose (and Maria, for that matter) are all more beautiful in person. The hours may have been insane, at times, but I would gladly do it all again. And again. And again. Being a part of this film was a real blast. I don't know about all of you, but my life's going to be real boring, without Poultrygeist here. :: Eat! ::

[August 26th 2005 at 3:59pm] mienaikitsune [ mood | lonely ] [ music | "Miss You" ~m-flo ♥ Melody & Ryuhei Yamamoto ] This way to pictures from Poultrygeist!! :: 3 Zombies :: Eat! ::

[August 16th 2005 at 12:51am] mienaikitsune Yesterday was longer than anticipated. Got there around 3, as scheduled, but didn't get outta there til after 2am. By the time I got home, it was almost 3. Gettingg made up into a chicken zombie was a rather enjoyable experience. First they pretty much paint you gray, then some black around your eyes and on your lips, and cut some holes in your shirt. Then they apply the beak with... I think, latex glue. Finally you get tarredglued and feathered. We filmed Micki dressed as Colonel Kluck, sneaking through a 200 zombie filled parking lot, to the car, a Hitchcock shot, and some other scene (I sat that one out. I was tired). :: 2 Zombies :: Eat! ::

[August 11th 2005 at 11:11am] mienaikitsune [ mood | tired ] [ music | "Tsuki no Uta" ~Gackt ] Maria's blog entry really does speak for itself. I can also relate to what she said, as I used to be in visual arts, myself, and now, I do audio/video work, as well as study music. I stopped doing visual arts, because, unfortunately, my Sophomore and Senior year high school art teacher took away what joy it gave me. It was then that I started going down to the Communications department, and learned how to create music videos, although I've never gotten the opportunity to use a video camera for my work (I want to, too. Currently, I use Japanese animation, or anime) I've always "been good at writing." I suppose that's because I'm unable to verbally communicate. Unlike most people, I've always had to spell things out. Because of my disability, I've seen, all to well, how the world works. I've been looked down upon, shunned, degraded, you name it. Perhaps I bottle up my pain, too much, but, it's better than letting it rule my life. But, through poetry, I can let everything go. I know I have people that truly care, and I care for them, as well. I stand by their side, regardless, because I don't want them to go through even a part of what I've gone through. No one should ever have to experience that amount of pain. "Imagine ~Sozo suru~" By: Mienai Kitsune Can you imagine a world Where light lines the path of darkness? (Can you imagine a world) Where people use your emotions For their own gratification? Can you imagine... Can you imagine a world Where people wonder why you were even born And yet, in that same world People wonder why it is That you wish to just fade away? Can you imagine... Can you imagine Baring so many scars That even you yourself are unable to break out? Can you imagine Being unable to let go of the pain That haunts your life? Can you imagine In spite of that Never showing your tormented heart And being strong for those who Want you in their lives? (Can you imagine) Being strong for them When they are unable to be strong themselves? And pushing on through life Because you don't want them to go through The torment you yourself have gone through? Can you imagine Smiling for them Not because they want you to But because you love them Can you imagine... Can you imagine... Can you imagine... Can you? I don’t need to. I live it. :: 5 Zombies :: Eat! ::

[August 10th 2005 at 8:42pm] mienaikitsune I welcome all of Tromaville to my little hole in the wall. :: Eat! ::

[August 7th 2005 at 5:32pm] mienaikitsune If I could, I'd gladly work for Troma. Film-making is something I've wanted to get into, for years now. And please, feel free to e-mail me! duelistekitsune@gmail.com OR duelistekitsune@hotmail.com And go ahead and put a link to this up on www.poultrygeistmovie.com :: 2 Zombies :: Eat! ::

[August 6th 2005 at 5:25pm] mienaikitsune [ mood | tired ] [ music | "Heat Capacity ~Type '03~" ~T.M.Revolution ] Well, to be honest, I'm happy that they found this community. You want proof they did? Just look at the latest update. They used my avatar. Although, I am a bit embarrassed that Maria read it, but what the hell. (You wanted more, girl, so here it goes!) Out of the 4 ACB dancers, I think she has the best features, not to mention quite the flexibility. I find her so very sexy. (Ok, I'm gonna shut up now before her boyfriend wants to kick my ass) Today reinforced my previous statement that everyone involved in Poultrygeist is nice。Not only did I give out a few of my business cards to my surrounding protestors, but while the others did the interior work, Allyson took time to talk with me. The conversaton lasted for a good 10 minutes. She's very nice. And I got quite a few pictures with her, Maria, her AND Maria, and Robin (The General). The slime and blood on the chicken was a nice effect, even though it kept slipping out of my fingers. It also seems like Lloyd is, either, adding scenes for me, or adding me to scenes. But either way, it's a good thing. A very good thing. Personally, I think Kate (Wendy) should have put her hand on my shoulder, as I was passing her, like "Hey, wait!" and then delivered her line of "What happened?" To me, that's more logical than me just stopping for no apparent reason, and her doing her line, y'know? But, what was I supposed to do? I can't talk, and it would have been too much of a hassle to go get my mother, tell her, and have her tell Lloyd. ...The bloody rectum was just gross... PS: My screennames are... AIM: Shin Fuuma MSN: duelistekitsune@hotmail.com And look! It's my big ass in the background! :: 3 Zombies :: Eat! ::

[August 2nd 2005 at 9:39pm] mienaikitsune ( Here are pics from this past weekend ) ( And one from an earlier rehearsal ) :: 2 Zombies :: Eat! ::

"Who feels like Chicken Bunker tonight?" [August 1st 2005 at 10:53pm] mienaikitsune I had a dream, about a week ago, where I was in a mall, and when I looked at my left, there was an American Chicken Bunker, with "Generous General" being played over the PA system o_O And at the end of the mall was the General. When I woke up, I was like "What the fuck...?" :: Eat! ::

Thank God the Weekend from Hell is over [July 31st 2005 at 9:10pm] mienaikitsune [ mood | tired ] [ music | "Generous General" stuck in my head ] I'm so glad that's over. I'm writing this before I pass out again, tonight. I don't know, yesterday seems to go faster. Maybe because yesterday, we filmed a few things and today we just did the General's entrance and "Generous General." I feel bad for Allyson (Micki) though. Her armpit hair from yesterday, stained her skin. Not to mention poor Colonel Cluck.I got puked on twice. Once on my leg (and shoe), during the initial shoot, and again during the 2nd shot, this time on my shoulder. I was a bit upset too. They almost forgot my dance with the CLAM girls. But, I was like "Uh-uh, no way!" and reminded Jamie. It did feel a bit awkward though, getting felt up by "lesbians." What was with the General and "market-testeded"? lol. Not to mention Lloyd messing up people's names yesterday. He kept calling the Chant Leader, Karen, "Marline," and Chief What's-His-Face, Martin (owner of Martin's Sports Bar, on Broadway), "Kevin." It made me smile to hear us singing our part in "Generous General," without the music. I was like "Yeah! That's right, we know our shit, baby!" The "Mexican With No Green Card," AJ was funny. He joked about he putting my chair on blocks and stealing my tires. In fact, everyone seems nice. Except Brendan. My mother said that Arbie and Denny went inside and got a couple small squirt guns, which are toys for the ACB kids meal, and started squirting the Beast, a (Troma) security guard. Arbie went back inside and brought out a pump squirt gun and squirted him some more. So, the Beast went inside and came out with this big pumper, and started getting Arbie and Denny. When the projectile vomitting scene came up, I went around to get a better view. It was fucking great! :: 5 Zombies :: Eat! ::

[July 25th 2005 at 12:31am] mienaikitsune [ mood | tired ] Well, I just submitted 5 updates and a correction to Poultrygeist, on IMDb :: 2 Zombies :: Eat! ::

[July 23rd 2005 at 7:53pm] mienaikitsune [ mood | hot ] [ music | "Lu:na" ~Gackt ] Rehearsal was... hot. I was ok, the first 3 hours. Then after the break, the sun was getting to me. We tried a few new things for the 3 or 4 scenes we went over, and I did see a girl I graduated high school with. Right now, however, I am sore as fuck. ----------- My favorite quote right now is: "Where's my rectum? Gimme my rectum!" ~Rose "Humus" Ghavami, collecting chicken :: 9 Zombies :: Eat! ::

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