So, I was just going to go to bed. But as I have far too many times in the past, I decided to pick up a book on the way, and now my brain is going 7,000 miles per hour and I'm once again wide awake.
I went out to dinner this evening with my family. Got to the restaurant a full half an hour early -- I'd given myself plenty of time in case of traffic and then encountered none. So to kill time (what a lovely phrase), I hit up Barnes and Noble, thinking I'd pick up that copy of Ginsberg I'd been wanting to get for so long, and maybe have a wander through some of the other shelves as well.
As I often do in bookstores, I found myself perusing the Mythology and Folklore section (woefully small no matter where I go). And lo and behold, what do I find? A
nonfiction book by Michael Chabon! I'd read
The Amazing Adventures of Kavalier & Clay (as a good little lit buff and former comics reader, how could I not? . . . mental note, finish reading that book) a few years ago, and have heard wonderful things about some of his other novels, and here was a
very pretty book with his name on it, smack in the middle of my favorite nonfiction subject matter section.
The book, dear friends, is
Maps and Legends. I love maps. I love legends. I love creative packaging, and this hardcover has not one but
three dust jackets, brilliantly layered. And, hey, birthday. What was a little self-indulgence of an at least surface-level intellectual area between friends? So I bought it.
I've only read the first section, "Trickster in a Suit of Lights: Thoughts on the Modern Short Story". Anyone who's paid any attention to my writing in this journal will immediately see that this is the perfect first section for me -- I love tricksters as an archetype and literary device, metaphor or character, and I tend to stick primarily to short forms of fiction. As I read, I found myself continuously going "Yes, yes,
exactly" and wanting to quote it.
Then I realized that I wanted to quote the
whole freaking chapter.
It's all about entertainment vs. high-concept, genre vs. literature, srs bizness vs. play time. And all about the pretentiousness of the modern publishing world and the ghetto-ization of fiction on bookshelves sorted into "literature" and "genre", the death of the short story plot in the course of the latter half of the twentieth century, and how downright ridiculous that death is. I want to take this chapter and mail it to the guy who I argued with in Prague about the purpose of genre fiction -- science-fiction in particular -- and its worth in the literary world.
Take
that, pretentious Paul! Lord, what did I ever see in you. . . .
Long story somewhat shorter (seems my short-form ideas are really only in the fictional structuring, not the babble of my meta and analysis), I expect to absolutely love this book. It helps that Chabon clearly has as much love for
Trickster Makes This World by Lewis Hyde as I do. And totally reads Gaiman as well as Pynchon.
Lord, do not let me crush on another damned author.