I'm ecstatic to be included in a panel at Context that's called Great Movie Soundtracks. Aside from the last names of the other panelists, Johnson and Sandridge, I know nothing about this little panel…but I am sooo excited to get to share on a musical subject in addition to writing!! So, I’m wondering…as research data, of course, what is YOUR favorite? Do you even pay attention? What do you listen to when you write, if anything, and do you endeavor to create a ‘mood’—and if so, always? or just for certain scenes?
Musicians often do with melodic phrases, things that we cannot do with words, but mirrors and enhances the words. For instance…take Gladiator. When Maximus arrives and is to fight in the great Coliseum, there is little to be said, the visual is daunting. The composer (my favorite, Hans Zimmer) took a Waltz…a lovely 3-beat dance, and turned it into a monster of a song rather emulating the whole Gladiator idea, entertain and die…pretty monstrous. And yeah, I’m totally geeking out right now.
Sometimes, when I’m
- Mood:
geeky - Music:The Crow/Graeme Revelle



Comments
Hmm, well, the husband and I collect movie scores. We own, I think, somewhere in the neighborhood of 500 by now, though I haven't counted in awhile. (Last time I did it was about 430 a couple of years back.)
My iPod is made up almost exclusively of scores, and yes, they are what I listen to when I write. I absolutely pick certain tracks or albums to set tone for scenes, and if I'm not in a "writing mood", often when I start playing, say, Bryan Tyler's Timeline or Children of Dune, or all of Bear McCreary's Battlestar scores on shuffle, I almost immediately slip into the mood to write. The music lets me block out other distractions, and helps me immerse in the world I'm creating.
The soundtrack for season one of Battlestar Galactica got me through a book because it had a trance-like effect on me when I was having trouble blocking out the real world (though now when I hear those opening notes of the prologue, my brain says "time to work!"). I also used the soundtrack for the fifth Harry Potter movie as my background music for a book, so that now seeing the images of the movie with that music feels wrong, as I'm more familiar with putting the images from my book to it.
I do create "soundtracks" for books, almost as a way of doing a musical collage. Something about sifting through my music and looking for songs that spark an idea or remind me of a character, setting, scene or mood helps get my brain focused on the story and helps in the brainstorming process. I don't listen to this soundtrack while I'm writing, but I listen to it in the car or when I'm preparing to write as a way of keeping my mind in the book or getting in the mood. I'll play particular songs that make me think of a certain scene before I write it.
I listen to music while I write. I go nuts if there's no music on. I have a massive 19.5 hour playlist I keep on random. However, I do have littler playlists to set certain moods, like for fight scenes, tension scenes, scary scenes, etc.
I love movie soundtracks! For some reason, three of my favorites are soundtracks where I love the music, but wasn't all that impressed with the movie, or downright hated it: The Crow 2: City of Angels, Escape from L.A., and Dracula 2000.
Another random favourite is the soundtrack to the movie Ever After, composed by George fenton.
Off the top of my head for soundtracks, I like Graeme Revell who did The Crow, Aeon Flux and quite a few others. Also like Phillip Glass, Hans Zimmer.
This is in my post, but I love sharing this find. :) Edgen Animations. Game and movie music. If you go to his site and click on sort by genre, you can pick creepy, uplifting, action adventure, etc. He sorts by mood. If you have time to explore, there's some excellent music. http://edgen.com/music/news.html
I have bits of several soundtracks, Conan the Barbarian, The Matrix, tons and tons from video games and anime. The only soundtrack CDs I've actually purchased are mostly anime. Neon Genesis Evangelion, End of Evangelion, the Ruroni Kenshin OAV, Kodomo no Omocha (Child's Toy), and several CDs from Macross Plus. The only two American-made movie soundtracks I own are Escape from LA (both the soundtrack and the score CD, which has all the great pseudo-western pieces), and I special ordered the Bubba Ho-Tep sound track.
You can listen to clips on Amazon.
http://www.amazon.com/Conan-Age-Hyboria
I always soundtrack fake films of my books in my head! I know, crawl before you walk (i.e. publish before you score films of your books) but its just so much fun. I rarely listen to movie soundtracks when I write, as I always, always associate them with the film if the music was written specifically for it. I usually go for whole CDs that fit the tone of the book I'm working on, and rotate between two. Currently I think I'm going to go with Felt Mountain by Goldfrapp and perhaps a little LCD Soundsystem for the piece I'm working on. It is, in fact, science fiction oddly enough.
ETA: Ooh, can't believe I forgot Gustavo Santaolalla's score from Brokeback Mountain. Beautiful stuff.
Edited at 2008-09-19 11:52 pm (UTC)
1. Lord of the Rings trilogy
2. House of Flying Daggers/Hero/Crouching Tiger Hidden Dragon (3 different movies, but I used to play them back-to-back every day when I was writing VOICE OF CROW)
3. Run Lola Run
4. The Matrix
5. The Crow
6. Babylon 5
7. Twin Peaks’ Fire Walk With Me
8. Peter Gabriel’s Passion, the soundtrack for The Last Temptation of Christ
9. The Passion of the Christ
10. Garden State (in the original post the #10 spot belonged to 500 Nations, but I've gotten kinda bored with most of that)
In the last year I've added the soundtracks to the movie 300 and the soundtrack to HBO's ROME. 300 in particular works well for any kind of exciting writing, not just fantasy.
Most of the time I listen to action/adventure/fantasy/etc. soundtracks when I'm writing paranormal. Of course The Gladiator and the "More music from the Gladiator" albums. All of the Pirates of the Caribbean soundtracks; all of the LOTR; The Mummy movies; The 13th Warrior; The Mists of Avalon; Van Helsing; Batman the Beginning (haven't checked out the 2nd one yet; X-Men The Last Stand; Braveheart; Last of the Mohicans; etc. etc.
When I write contemp. suspense, I listen to soundtracks like all 3 Bourne movies; first two seasons of Alias soundtracks; The Kingdom; Vantage Point; 24; and others.
I'm listening to LOTR: The Fellowship of the Ring right now.
:o)
When I write, I often listen to action/adventure soundtracks like The Fifth Element or create my own soundtracks via iTunes playlists.
My all-time favourite is Last of the Mohicans (by Trevor Jones and Randy Edelman), but some of my favourite composers are:
Hanz Zimmer
Thomas Newman
Klaus Badelt
Yann Tiersen
John Williams
Rachel Portman
Edited at 2008-09-20 04:59 am (UTC)
Last of the Mohican's is a favorite in my shuffle, as well as the LOTR trilogy, First Knight(a lot of majesty), King Arthur (Celtic moodiness); the Mummy Returns; Last Samurai--in one Zimmer uses the Japanese hi-ya's during a work out like an instrument to emphasize a song; Mission Impossible 2--Zimmer uses a Flamenco dancer as the drums for a song (he is sooo cool in that he doesn't always use instruments as music--I love that thinking outside the box stuff) and on MI2, 'INJECTION' is the moodiest love-unattainable-but-promises-nonethele
I'm going to have to check out Tangerine Dream...and I like Mask of Zorro too, but I kept getting irritated because the trailer had this awesome piece that wasn't there...It's Hans Zimmer's(no surprise), from Drop Zone, called 'Too Many Notes-Not Enough Rests' and it's only this tiny little AWESOME tidbit in the middle, the rest is jazzy. OH, and has anyone hit on E.S. Posthumous? Their stuff was used in the Spiderman trailers. And there's this techno-industrial band called Flesh Field that I love, their stuff is used in some video games, but I can't listen to it when I write because if there are words, I sing instead of write and I get nothing done. :-)
Bram Stoker's Dracula soundtrack is good for mood, but there are some parts that are so creepy I find myself popping out of storyworld to fastforward. I can't do anything with words either, so even though I love Phantom of the Opera it's not on when I'm writing.
I can't wait to go check out some of these suggestions. Thanks for the great post.
As far as movie music, I have a few I find particularly good. Spirit: Stallion of the Cimarron figures prominently in my Gabby music. Blue Man Group's The Complex works nicely in places. I love the themes from The Black Hole, Back to the Future, Lord of the Rings and The Chronicles of Narnia. And I catch myself constantly whistling tracks from Michael W. Smith's "Freedom" . . . movie music without the baggage of a story already attached.