Call for Submissions: Queer Gothic
Open call for submissions for a Queer Gothic Anthology to be published by QueeredFiction where genre is queered. Deadline is 31st August 2009. We're looking for gothic tales of horror and romance. Your submission should be a short story between 3,000 and 10,000 words. We are seeking fiction with positive images of queer characters. We’re not looking for clichés. We do not want reprints. We are seeking first world rights for this anthology which will be published as an eBook and in Print format. Full guidelines here.
Submissions open: 1st June 2009 to 31st August 2009
As a queer publisher, QueeredFiction would like to have an emphasis on the queer community as a whole, rather than by segments. So ideally the perfect submission would have 'queer characters' in the forefront and in the background ... just mainly prominent!
Gothic fiction (sometimes referred to as Gothic horror) is a genre of literature that combines elements of both horror and romance.
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Prominent features of Gothic fiction include terror (both psychological and physical), mystery, the supernatural, ghosts, haunted houses and Gothic architecture, castles, darkness, death, decay, doubles, madness, secrets and hereditary curses.The stock characters of Gothic fiction include tyrants, villains, bandits, maniacs, Byronic heroes, persecuted maidens, femmes fatales, madwomen, magicians, vampires, werewolves, monsters, demons, revenants, ghosts, perambulating skeletons, the Wandering Jew and the Devil himself.
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The term "Gothic" came to be applied to the literary genre precisely because the genre dealt with emotional extremes and dark themes, and because it found its most natural settings in the buildings of this style — often spelled "Gothick", to highlight their "medievalness" - castles, mansions, and monasteries, often remote, crumbling, and ruined. It was a fascination with this architecture and its related art, poetry (such as Graveyard Poets), and even landscape gardening that inspired the first wave of gothic novelists.
