Erin ([info]erinya) wrote in [info]erinya_fic,
@ 2006-12-30 03:47:00
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Current mood: sleepy
Entry tags:jack/liz, liz/will, one-shots, potc, tia/will

PotC One-Shot: Something Rich and Strange
Title: Something Rich and Strange
Fandom: PotC
Rating: R
Warnings: Smut and such. And large potential spoilers for AWE.
Pairings: Tia Dalma/Will with a small side of Jack/Elizabeth and a smidgen of non-operational Willabeth
Disclaimer: The actual PotC franchise has nothing whatsoever to do with me, savvy?
Summary: In which Will is made uneasy by any number of things, and certain important questions are answered, obliquely.
Notes: So, I don't know. I said I would write it, and I have, but it turned out weird (as my fics seem to these days) and supernatural and possibly OOC in the Will Turner dept., and I have no idea what's going on with the style of the thing. Also, it was a bit of a problem child and I am greatly overjoyed to kick it out of the nest, so to speak.



Something Rich and Strange



He didn't like the way the witch was looking at him.

It was something about her eyes: the way they glittered, black like the night sea under a new moon, a placid, opaque surface that hid treacherous unfathomed depths and brimmed beneath with unseen swimming sinuous hungry things. And something, too, about the knowing smile that curved her mouth when she caught him looking back, the way her red tongue passed over her full lips, over her stained teeth, as if she were a cat considering a bowl of cream.

The bowl of cream could not feel as discomfited by this as did he. The bowl of cream certainly could not flush deep and hot under her gaze with guilt for some crime he had neither committed nor conceived.

He did not like it at all. He didn't trust her, this Tia Dalma of mysterious pronouncements and heathen spells, not least because Jack Sparrow had, inexplicably and to a bad end.

Which only served to remind him of how much, too, he did not like the way Elizabeth had made a practice of not looking at him at all throughout their long journey to the end of worlds, the way she lifted her chin and turned her head away each time he tried to meet her eyes, pressing her lips together as if holding back some speech of defiance or dreadful breach of pride.

At least he knew what she was guilty of, although he could hardly believe it. The girl he could not remember not loving, his fair and shining lady, was no cold-blooded murderer. He did not know the woman who, hard-voiced and Arctic-eyed, had admitted to giving Jack to the Kraken's maw. He was not sure he wanted to. Jack had never been a friend, exactly, but he had been friendly enough with Elizabeth--more than friendly, he amended, not without some bitterness--and she had as good as killed him herself; was, as she declared to Will with the facility of long recitation, not sorry; because she had done it for them, for herself and Will, and would do it again if she had to, without hesitation.

He did not doubt her, but the chill in her voice had seeped into his bones and made him shudder.

Nonetheless, he did not like in the least the way Elizabeth was looking at Jack at this very moment, with a searing kind of desperation; nor did he like the way the miraculously living Captain was looking back at her, though he could not read that expression at all, except to realize uneasily that it bore nothing of the cold fury she had certainly earned from her would-be victim.

Elizabeth must have expected anger as well, for she seemed to steel herself for the justice of a blow; still, she darted forward to grasp at Jack's sleeve, speaking a few brief words too low for Will to overhear. Jack rounded on her to take her roughly by the upper arms, speaking quietly as well but at some length, and Will started towards them; but was halted by the pressure of a warm body against his back, a restraining hand firmly on his shoulder, and Tia Dalma's rich and oddly musical voice purring close at his ear,

"Stay, William Turner. They two birds of one feather, and 'tis not now the proper time nor place to stand between them."

"But she's my fiancée," he protested, trying to shrug her off; but she pressed closer still, and despite himself he felt her warmth seep through him, slow and sweet like honey.

"A woman such as she belong to no man, fair William," she said, and he felt, too, the light puff of her breath on his skin.

He jerked away from her, from the curious prickling sensation she had awakened at the back of his skull, the nape of his neck, that was not entirely foreboding. "What do you know about Elizabeth?"

"What don't I know? Her path, she does not lead the same as yours. And yours is not the hard and bitter fate of him that tries to keep a woman who do not want to be kept."

"I don't understand what you mean," he said, obstinately, but his stomach sank at the sight of Jack's mercurial golden grin as the pirate wrapped an insolent arm around Elizabeth's waist and ushered her towards the Black Pearl's Great Cabin: wild dark head and proud bright one bent together in the intimate absorption of private council.

"Do you not?" And now Tia slipped around to peer up at him, head tilted, leaning in; he found himself taking an involuntary step back. There was no escape from that piercing gaze, so he met it warily; but he could not read her in turn. "Then maybe you do not want to know. Just as Elizabeth does not yet know her own heart, no more than do Jack Sparrow."

"I know her heart," he said. "And I know my own."

"Poor William," she said, and raised a hand to touch his cheek; a gesture that startled him and held him frozen. His mother used to caress him so, when he was very small. "As I do. A heart strong and true, it is, and noble. A heart born for greatness. For destiny. For the sea. Him could beat forever, that heart, that fine, sweet heart..."

Whether she had stretched upwards or he had leaned towards her, he couldn't say, but her lips nearly brushed his as she spoke; her damp breath was almost sweet, like a warm sea-wind, and her hand lingered on his cheek while her other toyed with the fastening of his sword belt, drawing him closer still.

"What spell is this," he said, finding with some effort the words and the breath to speak them.

"No spell," she murmured. "No magic but the oldest, and the pull of like to like."

"I am not like you," he said.

But she only smiled that wide smile of hers, and kissed him, just as he must have known she would, although he could not have known that he would allow it.

She tasted of salt and the bitter spice-tang of cacao; he closed his eyes, feeling at once the weight and weightlessness of water, a diver's descent from a translucent surface into the living dark below. Behind his eyelids he saw, with the over-brilliant immediacy of a dream, the vivid traceries of branching coral and the darting flash of small bright lives, inevitably shadowed by the lazy sharp silhouettes of those that hunted them. His ears were full of ocean-thunder, rhythmic as a heartbeat (hers or his own? he could not tell) and mingled with the strange sonorous haunt of distant whale-song; while through it all wound a wild desolate music he had heard before: in the grim holds of the Flying Dutchman, organ notes that had shuddered through the very boards of that fell ship until it seemed as if the souls of all her lost sailors added their voices to the dirge of Davy Jones.

He started back from Tia then, blinking his eyes open like a man surfacing from sleep or other depths, strains of fey melody chasing themselves to echoes in his mind. "What are you?" he demanded, staring.

Her face was human enough, but her eyes glowed with a faint but unmistakable phosphorescence, like the gleaming wake a ship leaves in certain warm waters, in the dark. "I think you begin to guess already," she said.

He said, confusedly, "But Davy Jones is the sea. I heard him say so."

"So he may like to claim," she answered, smiling still, despite an unexpected undercurrent of sadness in her tone. "He is mistaken, as any man who ever thought he was a woman's master. But the sea rule him yet, and will yet splinter him."

She said it with a kind of distant pity that was nonetheless entirely devoid of mercy. Will thought of Jones's small, mean cuttlefish eyes, the voice that rang with the icy oblivion of black fathoms beyond life or hope, the grotesque limbs, clawed and tentacled--a creature who had been human once, rendered now by bitterness and despair and some unholy power into the sea's cruel mockery of a man's shape--and shivered. Then, startled by a lightning-strike of insight, he said in a rush, "You're her. You're the woman Davy Jones cut his heart out for, aren't you? And you're the one that made him what he is--"

Tia had turned away from him, looking out over the fading fire of the twilit ocean, and a west wind rose up and lifted her hair until it streamed around her face like tangled seaweed in a strong tide. She seemed taller then, and remote, though she still stood close to him; when she spoke, the lilting accents of her speech took on a more resonant timbre, as if her words were not spoken by her but through her, in some way Will could not define. "No," she said. "Davy Jones fell in love with a woman who did not exist. And him alone made him who and what he is. You have heard the story already."

"Not all of it," he said. "You've only told one version, haven't you? And all are true....But some are more true than others."

Her eyes glinted at him. "You are a clever man, William Turner," she said. "Perhaps too clever. And what would such a truth be worth to you?"

"They say the truth will make you free."

He was stalling, and they both knew it; but she looked at him meditatively for a long minute in the half-light, before she said in that same soft resonant voice, "As it may do indeed, for the one who tells it. But we are speaking of you. Are you willing to pay the price of hearing the answers to your clever questions?"

"That depends," he said. Miles from solid ground now, and gambling without knowing the rules or the stakes. But the winnings might be the difference between freedom and the Locker for Bill Turner, and Will had made an oath he meant to keep. "What price are you asking?"

A sly, slanted look. "The full price of knowledge is never known 'til all is told. But I will only ask of you what already belong to me."

"And you only speak in riddles," he cried, with sudden fury. "What do you mean? What do you want of me?"

Her fingers stroked his cheek again, and again she smiled her slow hunter's smile. "Three times the sea has swallowed you," she said, "and three times she give you back to the world; and you are three times mine."

"Speak plainly," he said, though the answer to the riddle surged hot through his veins and tightened in his groin.

"Then come," she said, "I will show you;" and she was like the tide.

He did think of Elizabeth then, as he had not since the witch's kiss had swept him from her shore; thought, too, of the way Elizabeth had molded herself into Jack Sparrow's side, how she had not spared the barest glance of shame over her shoulder for him; and he followed Tia Dalma down into the darkness below, and told himself it was mere witchcraft that compelled him.

* * *


In candlelight, her skin was smooth and dark and luminous, and her body younger and firmer than he would have guessed; not that he had speculated about such things, before the enchantment that ensnared him now. How old was she? She was unwrinkled, unfaded; but she had known Jack a long time ago, or so he'd thought. There'll be no knowing here, only there was and would be. He trembled as she pushed his shirt from his shoulders and ran her hands—soft palms, stained nails—over the muscles of his chest and abdomen, and said, "I can't--I've never--" But his voice hoarsened as she shrugged the bodice of her dress down so that her breasts spilled out full and dusky-round, and failed utterly when she took both his hands and led them to her; and he found, with some degree of surprise, that he could. Her wide aureoles were a half-shade darker again than her skin; when he brushed his thumb over one—too roughly, he had thought—she arched against his hand, the puckered brown nipple hardening beneath his curving fingers.

It was not the knowledge he had bargained for, but he was beyond haggling. She kissed him and bit at his lip with small sharp teeth until he gasped; laughed low in her throat. Her eyes gleamed eerily in the gloom of the tiny cabin when she turned her head: fey or feral, not quite human, like the queer grace of her movement. He heard his own heart loud in his ears, quickening with fear or lust or both, and she must have heard it too, for she laid her palm over it before setting parted lips to the same spot, her tongue shockingly hot and wet on his skin.

"Tia," he breathed, foundering, and then, "is that really your name?"

"I have," she said, "been called by many names. Your name for me will do."

And when, a little while later, he murmured, "Calypso," as she flowed over him, she smiled as before and was silent; but he laid his ear against her belly like a shell, and heard the ocean.



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[info]artaxastra
2006-12-30 01:23 pm UTC (link)
This is really incredibly lovely! You write Will so very well, and the sense of mystery, of longing, of quiet inexorable movement is so well done that it carries the reader along as it carries Will.

The bowl of cream could not feel as discomfited by this as did he.

Just a great line!

he did not like in the least the way Elizabeth was looking at Jack at this very moment, with a searing kind of desperation; nor did he like the way the miraculously living Captain was looking back at her, though he could not read that expression at all, except to realize uneasily that it bore nothing of the cold fury she had certainly earned from her would-be victim.

This is so visual I can completely see what their expressions look like, the searing kind of desperation and the expression Will doesn't want to read. Hearts in their eyes, with all that implies bad and good.

wild dark head and proud bright one bent together in the intimate absorption of private council.

Beautiful image!

Behind his eyelids he saw, with the over-brilliant immediacy of a dream, the vivid traceries of branching coral and the darting flash of small bright lives, inevitably shadowed by the lazy sharp silhouettes of those that hunted them. His ears were full of ocean-thunder, rhythmic as a heartbeat (hers or his own? he could not tell) and mingled with the strange sonorous haunt of distant whale-song; while through it all wound a wild desolate music he had heard before: in the grim holds of the Flying Dutchman, organ notes that had shuddered through the very boards of that fell ship until it seemed as if the souls of all her lost sailors added their voices to the dirge of Davy Jones.

Just a gorgeous paragraph! So visual! I envy you your ability to make us see exactly what you want us to.

her eyes glowed with a faint but unmistakable phosphorescence, like the gleaming wake a ship leaves in certain warm waters, in the dark. "I think you begin to guess already," she said.

Oh so many faces of the Sea Lady!

And a wonderful scene between Tia Dalma and Will.

I can't love on this story enough!

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[info]erinya
2006-12-30 08:27 pm UTC (link)
Thank you so much! I got that tidbit about the phosphorescent wake from your "Lovers," you know.

Glad you liked the Jack/Elizabeth bits too--there's a whole other story going on there, although it's given short shrift here.

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[info]artaxastra
2006-12-31 11:45 am UTC (link)
I got that tidbit about the phosphorescent wake from your "Lovers," you know.

*g* I wondered! It just seems like such a piratey detail that it's perfect for them.

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[info]penknife
2006-12-30 01:26 pm UTC (link)
Mmm, this is lovely.

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[info]erinya
2006-12-30 08:49 pm UTC (link)
Thank you!

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[info]hereswith
2006-12-30 01:47 pm UTC (link)
"Three times the sea has swallowed you," she said, "and three times she give you back to the world; and you are three times mine." *sigh*

I was happy to see that you had written Tia/Will :-) Beautiful, as always, especially all the sea imagery (in the description of the kiss, for example), and I really liked the interaction between the two of them. Also, Tia's reply when Will says he thought Davy was the sea, wonderful. And Jack and Elizabeth looking at each other.

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[info]erinya
2006-12-30 08:57 pm UTC (link)
I was actually surprised at how easy it was to write Tia and Will together. They "make sense," at least to me.

Jack and Elizabeth have their own story going on here, behind the scenes as it were, but they have to take a back seat to Will this time since I usually write it the other way around.

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[info]jenthegypsy
2006-12-30 02:12 pm UTC (link)
Methinks the lady doth protest too much - for all your disclaimers in the Notes above, and for your kicking the poor babe from the nest, I'm not sure you have ever written a more enchanting bewitching tale. Your characteristically beautiful prose is in tact, the style fits perfectly to the subject, and the particular complexities of Tia Dalma are perfect. I entertain no qualms over the behavior of Will, (for whenever has he been in such a situation?) and delight at the implied reunion of Jack and the betraying Elizabeth. "They two birds of one feather," indeed.

"What don't I know? Her path, she does not lead the same as yours. And yours is not the hard and bitter fate of him that tries to keep a woman who do not want to be kept." And this is it in a nut shell, isn't it? To keep Elizabeth would be the end of Will, would be the end of them.

A little squee if I may, for the resurrection of one of my favorite lines from DMC: There'll be no knowing here. Delivered so adroitly and so perfectly underplayed - *g* - what a man, our Captain Jack Sparrow. And what a wonderful, magical tale you have woven. Thanks!

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[info]erinya
2006-12-30 09:02 pm UTC (link)
Well, when I stare at a story for as long as I stared at this one, trying to figure out WTF exactly it's doing and where it's going, I lose the ability to tell whether it works anywhere but inside my own head. :-) I'm glad you think it does!

Tia knows all about Elizabeth because their stories parallel in some important ways, although Elizabeth is a few chapters behind. "If you love something, let it go..."

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[info]bravenewcentury
2006-12-30 03:06 pm UTC (link)
So wonderful to get new fic from you, especially something as superb as this!

the chill in her voice had seeped into his bones and made him shudder

I can hear that.

The descriptions of Tia are wonderful too, just so sensual and rich, exactly like the little we saw of her in DMC. It is 'weird', but in a really good way- the sense of 'otherness' about Tia, the strangeness of world's end, and the whole convoluted gamut of Will's emotional state.

Gah. I just love this!

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[info]erinya
2006-12-30 09:06 pm UTC (link)
Thanks, glad you like it! And you're right, Tia is hard to write...it's such a tightrope to try to get her voice right without using too much phonetic dialect.

Poor Will doesn't really know which end is up here, but I think Tia will straighten him out.

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[info]sage_laurel
2006-12-30 04:13 pm UTC (link)
what a lovely story. You may turn me into a closet Will/Tia shipper...on the weeknds at least ;-)

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[info]erinya
2006-12-30 09:11 pm UTC (link)
Oh noes, you've guessed my master plan! Thank you. :-)

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[info]veronica_rich
2006-12-30 04:58 pm UTC (link)
See, I told you if you wrote it, I would come (no, not THAT way!). *G*

What's sauce for the goose ... if Elizabeth gets some, so should Will. But what's more clever is what isn't expressly written - for Will, Tia makes it clear there's a price that needs to be paid, an exchange that may tax him in a way he doesn't like. But Elizabeth will have to pay a price for choosing a path with Jack (even if it's only a temporary path), and it may not be what she thought she wanted, either.

I read things like this and wish I could use language as well - I'm more straightforward, not nearly as poetic, and think I probably always will be. That's why I'm glad there are others who can do this, who can employ language to its fullest beauty so well.

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[info]erinya
2006-12-30 09:24 pm UTC (link)
Yay! I'm so glad you liked it, since I thought of you when I was writing it--and it was a comment of yours (I think) about how the sea looks after Will that provided some of my inspiration.

Yes, all these choices have their price, and as Tia points out, the price can't be fully known until after they are made. In my head Elizabeth and Jack aren't actually up to anything more than UST during this story; Will's suspicions are not...well, not completely unfounded but the reality isn't as bad as he thinks it is. But of course all that is purposely left to reader interpretation.

Thank you so much!

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[info]hendercats
2006-12-30 05:00 pm UTC (link)
What delight to find this today, especially after just having watched (my newly acquired) DMC last night!

You have such an excellent grasp of Will, and I believe you have him perfectly in character throughout. His memory of Jack's "there'll be no knowing" line, coming where it does, feels as if he's letting go of all moorings, even though he's not quite certain he wants to.

the darting flash of small bright lives
This is one of those achingly beautiful snippets that stops me completely, grabbing my eyes and refusing to let me continue until I've properly appreciated it. But then I need to step back, viewing the slightly larger bit, the darting flash of small bright lives, inevitably shadowed by the lazy sharp silhouettes of those that hunted them and I think you're talking about Will and the others rather than tiny fish.

And I've no words for your brilliant "and three times she give you back to the world; and you are three times mine."

*saves*

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[info]erinya
2006-12-30 09:30 pm UTC (link)
Thank you m'dear! I'm glad Will seems to be in character. It is a bit of a stretch to show him unfaithful to Elizabeth, I feel, but I was trying to make sure his motivation for it was sound, and it seems like that came through for you.

That paragraph with Will's sea-vision is a "darling" of mine, so it makes me happy that you liked it--I get worried that I go overboard with imagery and adjectives sometimes.

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[info]swell
2006-12-30 08:26 pm UTC (link)
That took my breath away.

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[info]erinya
2006-12-30 09:31 pm UTC (link)
Really? Then my work here is done. :-) Thank you!

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[info]wapiti_baris
2006-12-30 09:57 pm UTC (link)
A Tia/Will story! I love these two, especially when they're put together. I think somehow Will could become more interesting if he was to 'interact' more with Tia. I wonder where the writers will take them in the next sequel. They've got a great potential, as we've seen very shortly in DMC.

And this story is just great, as usual. Dark and poetic. I can't quote any particular part that I loved because there are just too many. That said, I'll do the unthinkable and point something that bugged me only slightly.

"...finding himself forgetting to think all but hazily about the Great Cabin door closing somewhere across the deck, and what Elizabeth and Jack might be doing behind it."

"He did think of Elizabeth then, as he had not since the witch's kiss had swept him from her shore;...

In the part between the quoted ones, the direction Will's thoughts take and his intoxicated state is told so good that I couldn't help but feel the first part I quotted above was not really necessary to the story. IMO, the reader's attention is (at least partially) already there because of a really skilfull narration.

Nothing big, but I thought I'd point it out as a loyal reader :) By the way, I am so glad to see a new story from you, I hope your muses behave so that we can read more of these great stories without having to wait too long. No pressure though, I'm patient, I can wait (I hope ^^) May the muses be with you!

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[info]erinya
2006-12-30 10:40 pm UTC (link)
You know, I think you may be right. *squints at it* And I love you for offering concrit. Far from unthinkable, it's one of the most valuable kinds of feedback a writer can receive.

Hopefully this represents the end of the Great Muse Strike and not just a straggler that made it past the picket line.

Thank you so, so much!

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[info]wapiti_baris
2006-12-30 11:34 pm UTC (link)
I typed "did" in bold on purpose, because I was going to say that if the first one wasn't there, the latter would have had a bomb effect, like "OMG, the writer speaks with me, she knows what I'm thinking!!" kind of bomb :) But being the ever absentminded gal I am, I forgot.

And I just realized that the word I used there ("bugged") is very wrong, I wasn't bugged! Distracted, maybe... I can't think of a better word, though, it's almost 2 am here and I hardly keep my eyes open.

I'm so glad that you found my review helpful because I'd hate myself if it was discouraging.

PS: Wow, it's 31st already. I wish you a happy new year!

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Happy New Year!
[info]erinya
2006-12-30 11:46 pm UTC (link)
No worries.

That particular clause was a late add-on, which goes to show that first impulses are usually the best.

Your icon is making me hungry... *goes in search of dessert*

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[info]rsharpe
2006-12-31 04:37 am UTC (link)
I'll admit I wasn't sure I'd like this pairing, but I was more than pleasantly surprised. Enjoyed the story very, very much!

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[info]erinya
2006-12-31 10:01 am UTC (link)
Thanks for giving it a try, and thanks for commenting! I'm so glad you enjoyed it.

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[info]fabu
2006-12-31 01:31 pm UTC (link)
Oh, that's gorgeous! Beautifully done. . .

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[info]erinya
2006-12-31 06:23 pm UTC (link)
Thank you! :-)

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[info]awickedwench
2007-01-01 12:12 am UTC (link)
This is hauntingly beautiful, if that makes sense! You have perfectly captured Tia's voice in a way I haven't seen yet. You're one of the best....do hope that Muse doesn't wander.

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[info]erinya
2007-01-01 01:00 am UTC (link)
Thank you so much! In trying to "hear" Tia, I was really fortunate that there's a transcribed script up online, since I don't have my own copy of DMC (yet.)

I never know what the Muse is going to do. :-/

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[info]amanuensis1
2007-01-01 06:38 pm UTC (link)
This was lovely. Tia Dalma really caught me, in that second film, and this was absolutely worthy of her.

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[info]erinya
2007-01-04 08:43 pm UTC (link)
Thank you so much! I love Tia, too.

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[info]djarum99
2007-01-05 04:22 pm UTC (link)
That was poetry-can't even pick out favorite lines, all of it was exquisite. Tia's voice and dialogue was perfect, mystery and an eerie hint of the amorality of a goddess-lovely.

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[info]erinya
2007-01-10 06:53 am UTC (link)
Thank you so much. Glad you picked up on that goddess-amorality aspect; I was aiming for that. What Tia does has nothing to do with right or wrong, and everything to do with her own ends.

(Sorry to answer this late! I missed it!)

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[info]djarum99
2007-01-10 07:14 am UTC (link)
No worries, glad you found it. Tia gives such a rich dimension to the tale, and any goddess worth her salt is above morality :)

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[info]wynterhawk
2007-05-07 10:44 pm UTC (link)
Absolutely lyrical, warm and fantastic. Do you have any more of this pairing? It's so rare, it's a shame!

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[info]erinya
2007-05-08 06:35 am UTC (link)
Thank you! I don't have any other Tia/Will stories at the moment, but I really love the pairing. [info]veronica_rich has written a couple good ones .

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[info]wynterhawk
2007-05-08 03:41 pm UTC (link)
Awww, I hope there is more Tia/Will in your future :) *begs* And you wouldn't happen to have any links for veronica's fic, eh?

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[info]erinya
2007-05-08 04:01 pm UTC (link)
Sorry, I was being lazy last night! They're here, here, and here. Actually Jack/Will/Dalma.

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[info]erinya
2007-05-08 04:14 pm UTC (link)
Oh, and I posted some additional Tia/Will recs here.

Hopefully my fickle muse provides more Tia/Will in future. :-)

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[info]wynterhawk
2007-05-08 06:24 pm UTC (link)
Ohhh excellent! If you're interested, and haven't seen these before, I have one or two of my own I'd like to share with you. They're both by the same author and absolutely fantastic.

Anamaria/ Will

http://www.waxjism.org/gm/pirates/pirate/pirate-scarring.shtml

(my absolute favorite)


Anamaria/Tia

http://www.waxjism.org/gm/pirates/pirate2/pirate2-veve.shtml

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[info]danniisupernova
2008-04-28 06:25 am UTC (link)
[info]danniisupernova = so reccing this.

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