van_helsing1897 ([info]van_helsing1897) wrote in [info]dracula1897,
@ 2006-11-05 17:29:00
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Entry tags:diary, memorandum, van helsing

Dr Van Helsing's Memorandum
5 November, afternoon. – I am at least sane. Thank God for that mercy at all events, though the proving it has been dreadful. When I left Madam Mina sleeping within the Holy circle, I took my way to the castle. The blacksmith hammer which I took in the carriage from Veresti was useful; though the doors were all open I broke them off the rusty hinges, lest some ill-intent or ill-chance should close them, so that being entered I might not get out. Jonathan's bitter experience served me here. By memory of his diary I found my way to the old chapel, for I knew that here my work lay. The air was oppressive; it seemed as if there was some sulphurous fume, which at times made me dizzy. Either there was a roaring in my ears or I heard afar off the howl of wolves. Then I bethought me of my dear Madam Mina, and I was in terrible plight. The dilemma had me between his horns. Her, I had not dare to take into this place, but left safe from the Vampire in that Holy circle; and yet even there would be the wolf! I resolve me that my work lay here, and that as to the wolves we must submit, if it were God's will. At any rate it was only death and freedom beyond. So did I choose for her. Had it but been for myself the choice had been easy; the maw of the wolf were better to rest in than the grave of the Vampire! So I make my choice to go on with my work.

I knew that there were at least three graves to find - graves that are inhabit. So I search, and search, and I find one of them. She lay in her Vampire sleep, so full of life and voluptuous beauty that I shudder as though I have come to do murder. Ah, I doubt not that in the old time, when such things were, many a man who set forth to do such a task as mine, found at the last his heart fail him, and then his nerve. So he delay, and delay, and delay, till the mere beauty and the fascination of the wanton Undead have hypnotize him; and he remain on and on, till sunset come, and the Vampire sleep be over. Then the beautiful eyes of the fair woman open and look love, and the voluptuous mouth present to a kiss - and man is weak. And there remain one more victim in the Vampire fold; one more to swell the grim and grisly ranks of the Un-Dead!...

There is some fascination, surely, when I am moved by the mere presence of such a one, even lying as she lay in a tomb fretted with age and heavy with the dust of centuries, though there be that horrid odour such as the lairs of the Count have had. Yes, I was moved - I, Van Helsing, with all my purpose and with my motive for hate - I was moved to a yearning for delay which seemed to paralyze my faculties and to clog my very soul. It may have been that the need of natural sleep, and the strange oppression of the air, were beginning to overcome me. Certain it was that I was lapsing into sleep, the open eyed sleep of one who yields to a sweet fascination, when there came through the snow-stilled air a long, low wail, so full of woe and pity that it woke me like the sound of a clarion. For it was the voice of my dear Madam Mina that I heard.

Then I braced myself again to my horrid task, and found by wrenching away tomb-tops one other of the sisters, the other dark one. I dared not pause to look on her as I had on her sister, lest once more I should begin to be enthrall; but I go on searching until, presently, I find in a high great tomb as if made to one much beloved that other fair sister which, like Jonathan, I had seen to gather herself out of the atoms of the mist. She was so fair to look on, so radiantly beautiful, so exquisitely voluptuous, that the very instinct of man in me, which calls some of my sex to love and to protect one of hers, made my head whirl with new emotion. But God be thanked, that soul wail of my dear Madam Mina had not died out of my ears; and, before the spell could be wrought further upon me, I had nerved myself to my wild work. By this time I had searched all the tombs in the chapel, so far as I could tell; and as there had been only three of these Un-Dead phantoms around us in the night, I took it that there were no more of active Un-Dead existent. There was one great tomb more lordly than all the rest. Huge it was, and nobly proportioned. On it was but one word.

DRACULA

This then was the Un-Dead home of the King-Vampire, to whom so many more were due. Its emptiness spoke eloquent to make certain what I knew. Before I began to restore these women to their dead selves through my awful work, I laid in Dracula's tomb some of the Wafer, and so banished him from it, Un-Dead, for ever.

Then began my terrible task, and I dreaded it. Had it been but one, it had been easy, comparative. But three! To begin twice more after I had been through a deed of horror; for it was terrible with the sweet Miss Lucy, what would it not be with these strange ones who had survived through centuries, and who had been strengthened by the passing of the years; who would, if they could, have fought for their foul lives...

Oh, my friend John, but it was butcher work. Had I not been nerved by thoughts of other dead, and of the living over whom hung such a pall of fear, I could not have gone on. I tremble and tremble even yet, though till all was over, God be thanked, my nerve did stand. Had I not seen the repose in the first place, and the gladness that stole over it just ere the final dissolution came, as realization that the soul had been won, I could not have gone further with my butchery. I could not have endured the horrid screeching as the stake drove home; the plunging of writhing form, and lips of bloody foam. I should have fled in terror and left my work undone. But it is over! And the poor souls, I can pity them now and weep, as I think of them placid each in her full sleep of death for a short moment ere fading. For, friend John, hardly had my knife severed the head of each, before the whole body began to melt away and crumble into its native dust, as though the death that should have come centuries agone had at last assert himself and say at once and loud, “I am here!"

Before I left the castle I so fixed its entrances that never more can the Count enter there Un-Dead.

When I stepped into the circle where Madam Mina slept, she woke from her sleep and, seeing me, cried out in pain that I had endured too much.

"Come!" she said, "come away from this awful place! Let us go to meet my husband who is, I know, coming towards us." She was looking thin and pale and weak. But her eyes were pure and glowed with fervour. I was glad to see her paleness and her illness, for my mind was full of the fresh horror of that ruddy vampire sleep.

And so with trust and hope, and yet full of fear, we go eastward to meet our friends - and him - whom Madam Mina tell me that she know are coming to meet us.



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[info]garillama
2006-11-05 06:01 pm UTC (link)
Exquisitely voluptuous?

Wow...

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[info]ninja_jen
2006-11-05 07:40 pm UTC (link)
Geezus thats crazy.



Did the commmunity die?

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[info]elettaria
2006-11-05 07:53 pm UTC (link)
Which element struck you as crazy?

*attempts to whip up conversation*

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[info]ninja_jen
2006-11-05 08:07 pm UTC (link)
Woohoo!

Well, honestly, everything about the "weird sisters" gets under my skin. I know we shoud rather not takl about the movie versions, but the corresponding scene where they have enticed Mina/kill the horses in Coppola's film was dead on how I pictured it in my mind....

Specifically, the soul wail of Mina. It appears to me, that in the most recent of Helsing's memorandums, with his descriptions not so much of her but aspects of her, that he dehumanizes her, bit by bit. When he mentions the soul wail, I've always heard it as a vaguely human wolf howl, especially if carries over such a longish distance.

They mention how Mina is pale and thin and not ruddy, after the idea has bene proposed, I am nigh convinced that Mina may indeed have supped of Helsing.

Food for thought though:
Dracula, he's been now banned from his castle, his original sleeping place etc. Is the war technically over now for him? (IE He's a "dead" man now, its only a matter of time blah) Have we just the battle to win now?


And just for giggles.....I'm going to not go out ona limb and suggest that Mina isn't really speaking like that, but its helsing's interpretation of her speech into his papers. I am amused.

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The poor, homeless Count
[info]gwydiontinker
2006-11-05 10:22 pm UTC (link)
No, I wouldn't say the war is over, but Drac cannot re-enter the castle. He can survive, as he has in London and on the trips there and back. He has only to make a new grave of his native soil. This might not have been VH's smartest move since Drac will know immediately that he must find a new hiding place and our valiant heros have no way of finding it. This is my first read, so I don't know what happens, but I would not have disturbed Drac's tomb, I would have lain in wait or set a trap for him.

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Re: The poor, homeless Count
[info]configuratrix
2006-11-06 05:02 am UTC (link)
I'm not sure we've seen it definitively established that just native soil is enough -- something about formerly consecrated soil?

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Re: The poor, homeless Count
[info]gwydiontinker
2006-11-07 01:56 am UTC (link)
I think both may be required, otherwise any graveyard dirt would do. Why bother hauling boxes of dirt all over Europe when you could just kick someone else out of their grave.

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[info]elettaria
2006-11-05 11:29 pm UTC (link)
I've been noticing the dehumanisation for some time, you got a similar process with Lucy into The Thing. The vampire brides were never particularly human to begin with, just bodies with appetites (and a miraculous mastery of English, of course).

The transcription of Mina's speech in Van Helsing's style does remind us how unreliable all of these narrators are. We can tell that VH has changed Mina's words because his word-order in English is shaky; what else is he remembering wrong, or even deliberately omitting or changing? What are the other narrators omitting or changing?

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[info]hecubuscathead
2006-11-05 11:43 pm UTC (link)
Don't think so - but it's a lot of "we traveled here and did this" sorts of entries. So, not much to talk about. Though "dear horses" did make me snicker....

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[info]greyselchie
2006-11-06 12:53 am UTC (link)
I am still here! And getting excited as the end draws near!

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[info]tamnonlinear
2006-11-05 10:15 pm UTC (link)
Does anyone have any idea why Mina was howling? She didn't say anything to Van Helsig about why she cried out. Also, one would assume that Van Helsing came back to the camp covered in blood.

Poor Mina. She gave such speeches earlier about having some compassion for poor Dracula and releasing him from this earthly sinful life. One can only imagine what she thought about his brides.

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[info]elettaria
2006-11-05 11:35 pm UTC (link)
If you mean the second time she cries out, I'd look at,

the horrid screeching as the stake drove home; the plunging of writhing form, and lips of bloody foam.

Not only covered in blood, but probably with a terrifying expression on his face. I wouldn't put it past him to grin, considering how much he seems to get off on dispatching voluptuous vampire women. That's unnerving enough already, but Mina also knows that she might be next. I'd have shrieked too.

If you mean the first time, maybe it's some sort of sympathy with the vampire women who could have ended up her sisters, knowing telepathically that they are in danger.

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[info]meggins
2006-11-06 12:54 am UTC (link)
considering how much he seems to get off on dispatching voluptuous vampire women.

He talks about "butchery" and barely hanging onto his nerve, wanting to flee. It doesn't sound like he's having a good time to me.

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[info]elettaria
2006-11-06 02:07 pm UTC (link)
He brings back "voluptuous" once in his previous memo and three times in this one, raves on about their beauty and fascination, quotes the sexy vamp attack on Jonathan as if he's learned it by heart (I don't recall him quoting anything else like that), twice refers to a vampire attack as "kissing" even though it's always been clear that the action involved is biting (though Lucy tried to lure Arthur in by asking to kiss him), and there's the usual description of a woman being staked which sounds suspiciously like a woman in orgasm, the "plunging of writhing form". So he's certainly being turned on by the whole encounter; I can't speak for how far he gets turned on by actually dispatching the women, and he's clearly terrified as well, but there was that incredibly sexual staking of Lucy a while ago which is similar to this scene, though the first one was more drawn-out. Maybe it's because there were four of them against Lucy, whereas there are three vampire brides and only one Van Helsing, so he's now in considerably more danger? My guess would be that he's strongly attracted to vampire women, wallows in the temptation a bit, enjoys the power trip of killing them but is also frightened of what might go wrong, and is on one hell of an adrenalin high from the pleasure and the fear and the overall excitement.

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[info]especial
2006-11-06 09:58 am UTC (link)
Her, I had not dare to take into this place, but left safe from the Vampire in that Holy circle; and yet even there would be the wolf! I resolve me that my work lay here, and that as to the wolves we must submit, if it were God's will.

I get the point... God has a plan, everything is an act of God, etc., but, really... this is as much as saying "I shall just do whatever I like because if Mina is eaten by wolves due to my leaving her among them unprotected then GOD MUST HAVE WANTED IT SO IT IS OKAY!"

But, I am getting very excited now!

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[info]elettaria
2006-11-06 04:03 pm UTC (link)
Also he tells Mina that he's putting her in that circle to protect her, but it's very clear (she certainly notices) that he's doing it so that she won't get out and throw a spanner in the works by attacking him or trying to save Dracula. I imagine that the Holy Circle will only save her from vampires, none of which are around right now, but not from wolves or gypsies. I do like unreliable narrators.

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[info]solan_t
2006-11-07 09:00 pm UTC (link)
Since he puts himself inside the circle at night I don't think he's trying to protect himself from Mina.


By the way.... when, exactly, did she die? so as to be so very vampiric now? That's where I find the story to be unreliable.


Since they are more worried about Mina's soul than her life, and being consumed by wild animals seeming like a really good way to keep a corpse from rising as a vampire, seems like good reasoning to me, not to worry too much about wolves.

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[info]elettaria
2006-11-09 02:52 pm UTC (link)
Remember when she offered to commit suicide, and VH said that if she were to die while still tainted by vampishness, she'd become a vampire after death? The circle seems to be primarily to enclose Mina, and perhaps the reasoning is that she won't attack him while he's inside a Holy Circle with her, if she's given to doing so (and I've given up expecting too much continuity from Stoker by now)?

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Circles and Wolves
[info]undercrypt
2006-11-06 05:13 pm UTC (link)
I don't really doubt that Van Helsing put the circle up for Mina's protection, for the most part, in one way or another.

No, it doesn't protect against wolves, but then she probably doesn't need to worry about the wolves too much, all things considered. She may very well be able to command them to some degree at this point, which may or may not have anything to do with her previous howling.

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Re: Circles and Wolves
[info]elettaria
2006-11-06 05:50 pm UTC (link)
The circle will only protect against vampires, right? The three vampire brides are summarily dispatched (and seemed more likely to recruit her than attack her), so the only real threat left would be Dracula, who is currently powerless. It would make more sense to be ready to form a Holy Circle if Dracula looked likely to appear, but meanwhile leave her unfettered, since all it does is imprison Mina in the meantime. We've seen Van Helsing organise hampering Mina, supposedly for her protection, in the past, for instance when keeping information from her so that she isn't shocked, and it was ambiguous then as to whether he was really doing it just for her sake, or whether he was trying to stop this highly intelligent, resourceful woman from being too powerful.

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