Deru ([info]hanael) wrote in [info]cross_stitch,
@ 2004-08-10 19:48:00
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As promised, here is a framing overview.  I included even some basic details, this is to inform you as to why I'm making these suggestions.  For instance in #8 I point out that glass is perfered to plexi-glass, and then I say why, because knowing why is better than "I'm a framer and I am telling you you want to use glass so listen to me."  If someone told me that, I'd be inclined to use plexi just because the framer was being rude.


1>        Make sure that the cross stitch is laced around the backing board, not pinned on it.  The pins can rust and discolor the fabric.

2>        Use High quality thread that has a neutral Ph, un-dyed cotton is the best.

3>        Acid Free Foam Core or Museum Board is the best backing board.

4>        On dark fabrics, especially larger count, use a black museum board, the board will show through in the unstitched areas, and white can look unfinished, likewise on white or light colored fabric, white museum board or Acid Free Foam Core (usually a cream color) looks best.  No matter what your framer tells you, the only dark backboard that is truly Acid Free is museum board.  If they try to convince you otherwise, they’re trying to sell you a cheaper backboard for the same price as the more expensive acid free foam core.  Black acid free foam core is not dyed with the expensive museum dyes, and therefore it can bleed and the dye does lower the Ph to acidic.

5>        Mats should be bigger than or equal to the size of the width of the frame molding.  In other words, a molding that is 3’ thick needs a 3’ or bigger mat all around.  Smaller mats will make the picture look overly compact due to an optical illusion from compact lines.

6>        Always go with at least a double mat, this keeps the piece away from the glass and helps prevent mold.

7>        Do not starch the fabric, not only does this make it hard to lace onto the board but starch also attracts miniscule bugs called Potato Bugs, which will eat the fibers of the fabric, damaging the piece irreversibly.

8>        Glass is heavier and breaks easier than plexi-glass, however its chemical and physical properties make it easier to see through than plexi-glass, which means it doesn’t distract from the picture as much, use plexi-glass only when necessary.

9>        Non-Reflective glass can make the colors look less vibrant, so it is also recommended only when it is necessary.

10>        UV protective glass can usually be gotten for a little extra price, however since all light, including indoor lighting, gives off some UV rays, this will stave off the dulling effects of all lighting.

11>        To get the best color from your piece(s), daylight light bulbs are best (as a side note you can get these at pet stores because they are also healthier for birds).  However these give off slightly more UV rays, so UV Protective Glass is better for pictures displayed in this way.

12>        There is a science to matting your picture.  The bottom mat should be the most predominant color in the area you want to draw the eyes to.  The top mat is either a darker version of the same color, a neutral, or the second most predominant color in the same area; this is to make sure that the eye doesn’t jump between focus points, which would make the picture look busy.

13>        The benefits and drawbacks of the four framing types are as follows:

            a.        Softwoods and composite frames: These frames are fairly inexpensive, even when they need to be custom ordered, however they do                leak acid the fastest, this can be offset by what is called “preservation framing” however if you can find a place that does preservation framing you will be paying a lot extra for Mylar tape being ran around the rabbet of the frame and a cotton paper backing, this can be great, especially for pictures, however it is pricey.
            b.        Hardwoods: These are pricey, and they do have the same acid leak problem as softwoods.  However the leaking process takes much longer, can be offset with Mylar tape and usually the hardwood frames are the most sturdy of all four types, they also lend a look and feel of high quality.
            c.        Metals: These are middle of the road on price, not as expensive as hardwoods, but (when custom ordered) more expensive than softwoods.  They don’t have the acid problem, but come with their own problem of metal shavings, so make sure the frame is clean before assembling (most frame shops wipe them down to get rid of the shavings).  They have one of the widest ranges of colors, but shapes and looks are limited.
            d.        Plastic: The only benefits to these are color and price.  They have the acid leak problem; they also can get plastic shavings.  They are cheap and often look cheap, though there are a few that look good.  Because they are plastic they break easily.  In general these are not a good deal, no matter how cheap they are.




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[info]meig
2004-08-11 12:36 am UTC (link)
Awesome. Thanks for posting that.

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[info]hanael
2004-08-11 12:49 am UTC (link)
You're welcome, also if I didn't cover something or anyone wants clarification, feel free to ask. Framing is one of my favorite hobbies, and before I was out of college I was working in a frame shop where we were pushing to get the management to let us all take our PPFA (Professional Picture Framers Assosiation) Certification. I was trying to put everything I remembered down, but I'm sure there are a few things I forgot to put in there.

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[info]tramissa
2004-08-11 01:26 am UTC (link)
That's wonderful :) Thank you so much.

Just 1 thing - what do you mean by 'lacing' in point 1? I'm assuming this is some kind of sewing the fabric on?

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[info]hanael
2004-08-11 03:11 am UTC (link)
Yeah, I was having trouble describing that when writing this up. You cut the backing board to just slightly larger than the mat opening, to make it easy we'll say the mat opening is 11x14 and it's going in a 15x18 frame. You'd cut a backing board to 12x15 or, if there's not much extra fabric all around 11.5x14.5. You center the stitching on the board and fold two sides (I usually start with top and bottom) over and flip it so you are looking at the back. Then you go and tightly 'stretch' the fabric while lacing the two sides together, flipping over from time to time to recenter. After the top and bottom are fully laced and tied off you fold the sides back and do the same thing. This keeps the piece tightly laced in place so it doesn't shift and is better than any of the other two methods, which are pinning, and (sad to say) some frame shops actually drymount the piece onto a piece or foam core, which is (for those that don't know) a heat activated dry glue and is usually vaccum pressed.

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[info]tramissa
2004-08-11 03:12 am UTC (link)
ahhhh, that makes perfect sense...and I've never thought of doing it that way! Thanks!

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[info]kaowolfie
2004-08-11 02:19 pm UTC (link)
Have I ever mentioned how much I hate drymounting, and how much I hate the fact that drymounting ISN'T ARCHIVAL, even if you dry mount onto a acid free mat board? The stupid tissue isn't archival. *mutters*

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[info]bekki_n
2004-08-11 02:07 am UTC (link)
Thanks :) This is listed in the community info, now.

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[info]rhianona
2004-08-11 03:27 am UTC (link)
wow! thanks for all of this. I'm definitely going to save this for when I have the money to actually frame my projects. :)

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[info]topazmine
2004-08-11 12:11 pm UTC (link)
Thank you, that was a helpful, detailed post, which is just what a beginner like me needs to read.

The other problem with Hardwoods; In many countries, they tend to come from trees that are endangered, or at least slower growing and harder to replace. The environmentally concious may wish to go with the other options.

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[info]bekki_n
2005-04-19 06:13 pm UTC (link)
Can I ask - what's your opinion on adhesive foam boards, for the backing board?

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[info]hanael
2005-04-19 07:58 pm UTC (link)
I don't like them because the piece usually don't stay adhered over a period of time, plus the glue will become acidic over time. You can get the purely acid-free kind but they can be just as expensive as the stitchdown method sometimes.

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[info]bekki_n
2005-04-19 08:49 pm UTC (link)
Thankyou! I added this post to the memories a long time ago, and figured that was probably the only thing you didn't cover!

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[info]arisa_sohma
2006-12-07 05:06 pm UTC (link)
I know it's been a while since this was posted but I was so excited to find a "how to frame cross stitch" step by step. I've spent almost two years on a large project and I don't want to ruin it by not framing it properly. Thank you!

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[info]unmowngrass
2009-05-31 02:35 am UTC (link)
This was a great post, thanks for it (just came across it). Just a note though: I tried the lacing method and it didn't come out straight, although it was reasonably secure. Since then I've been mounting it with double sided sticky tape which just makes it so much simpler! But I notice you didn't mention this. How do you feel about it?

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