Ysabet ([info]umadoshi) wrote in [info]30_kisses,
@ 2006-03-29 16:50:00
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Current music:Tom McRae - Streetlight

[Fruits Basket] Haru/Rin, #13
Title: Night and Day
Author: Ysabet MacFarlane ([info]umadoshi)
Pairing: Sohma Hatsuharu and Sohma Isuzu (Rin)
Fandom: Fruits Basket
Theme: #13 (excessive chain)
Disclaimer: Fruits Basket belongs to Takaya Natsuki and Hakusensha; English-language versions by FUNimation (anime) and Tokyopop (manga).
Notes: Spoilers for ch. 106-107 (manga vol. 18). Playing with style a bit in this one.


********

A month after Rin was carried from the Cat's prison, after he's back to spending most nights in his own bed instead of hers, Haru wakes in the night and can't quite place himself. The shadows of Rin's room (a tiny nook in Kazuma's house, her own sanctuary since she was eleven, but rarely slept in until this spring) loom strangely without her curled up beside or on top of him. (Sleeping with me must be annoying, she says in daylight, embarrassed by the way she clings to him while she dreams. It's an adventure, he replies, and she smiles.)

He waits for her to come back, raising his hands over his face and counting minutes on his fingers, starting with the smallest finger on his right hand. When he reaches the finger that he's taken to leaving bare, waiting for a plainer ring than he usually wears, he lets himself worry enough to go looking. (Don't worry so much, she whispers, not pretending that there's no cause, but not up to carrying the weight of his fear. Not now. Not yet.)

The only light in the house shows between the cracks around the bathroom door, a softer guide than the sound of her weeping. (I never cried in there, she says, almost in wonder, two weeks after her release. Sprawled across his lap, she stares at the light filtering through the leaves of the tree they're resting under, while he uses his hands to distract her from the tears on her cheeks. Never, she repeats, and he shivers.)

"Are you ok?" Nonsense words to fill in the empty air until the door slides open, silhouetting her for an instant before the light goes out and drops them back into newly-blinding darkness.

"Bad dreams. Made me sick." Her forehead rests against his shoulder, heavy with her weariness, and her wordless refusal to elaborate enlightens him--he's been with her through enough bouts of sickness that it doesn't embarrass her into silence anymore, but crying until she throws up is another matter. (As if I needed another way to mess my stomach up, she muttered after the first time she admitted to it, and he watched her run her tongue over her teeth. An article about eating disorders had frightened her with its descriptions of the damage stomach acid could do to enamel; ever since, the frequency with which she checks her teeth in the mirror has been a way to gauge her health.)

Haru scoops her up and holds her close, a comforting double-armful of warm, breathing woman nestling against his chest. Since she came back into the daylight, the two years dividing them seem crisp and obvious--not a girl anymore, his lover. The nightmares that wake her now are all of creeping darkness at the edges of her mind, rather than her father's violence and her mother's blind eye; one set of chains exchanged for another. (He doesn't feel like a boy anymore, either, but he can't be sure he's ready to call himself a man. There's only holding her and praying he won't fail her again.)

Five slow breaths--he counts them now, when he's not close enough to count her heartbeats, tries to memorize every sign of life--and Rin slides out of his arms to stand on her own. "I'm sorry you woke up."

"Guess I don't have to be awake to miss you."

"I guess not." Understanding softens her eyes, a bittersweet reassurance that her bed feels as empty as his does, with only one body to fill it. (Good morning, she mumbles into her pillow when he kisses her goodbye, leaving her to sleep in a pool of sunlight while he goes to school. She looks unbearably tiny in the expanse of blankets, curled up like a sea creature stripped of its shell, and he kisses her again.)

She doesn't let him carry her back to bed, but once they're settled again, she burrows against him, so close that he can feel each beat of her heart as if it were moving in his chest. Counting, he falls back into sleep.


fin

[previous entries can be found here]



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[info]flamika
2006-03-30 12:43 am UTC (link)
Loveliness, as usual. ^^

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[info]umadoshi
2006-03-30 03:33 am UTC (link)
*^^*

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[info]kawaiiayu
2006-03-30 03:20 am UTC (link)
Awww I loved that. I love the way you used the parenthesis too :3 This seemed a little different than your usual style, but I love it ^_^

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[info]umadoshi
2006-03-30 03:35 am UTC (link)
Yeah, it felt a lot different, but most of it came all at once--and when that happens, I almost never mess around with it. ^^ I'm a bit worried that it's unclear, or that the flow is broken too much, but I think I'll leave it alone.

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[info]kawaiiayu
2006-03-30 07:13 am UTC (link)
I like the flow :3

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[info]f_ireworks
2006-03-30 12:13 pm UTC (link)
I really liked it, and I really liked the use of parentheses. It feels like reading between the lines and it felt, to me, like a very nice way to connect with the characters more personally. It was lovely. My favorite lines:

(He doesn't feel like a boy anymore, either, but he can't be sure he's ready to call himself a man. There's only holding her and praying he won't fail her again.)

And:

Five slow breaths--he counts them now, when he's not close enough to count her heartbeats, tries to memorize every sign of life(...)
That last one was so Haru and so perfect.
Thanks!

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[info]umadoshi
2006-03-30 02:30 pm UTC (link)
*^^* I'm pretty fond of the first line you quoted, too (even though it breaks the pattern a little. *laughs*) *pleased that you liked it*

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[info]snapdragon76
2006-03-30 05:37 pm UTC (link)
Beautiful, as always. And I like the experimentation with style you used. It works very well...

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[info]umadoshi
2006-03-30 05:42 pm UTC (link)
Yay! I'm glad it worked out well. ^^

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[info]soragamieru
2006-03-31 08:36 am UTC (link)
I like the parenthetical inserts very much, for elucidation and for contrast. And, just, so many of the phrases, curled up like a sea creature stripped of its shell and He doesn't feel like a boy anymore, either, but he can't be sure he's ready to call himself a man, but most of all It's an adventure, he replies, and she smiles. *happy sigh*

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[info]umadoshi
2006-03-31 02:51 pm UTC (link)
*^^* And now I have to sparkle at you for picking both of my favorite lines. ^_^ Yay! And thanks for letting me know you liked it!

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[info]coastal_spirit
2006-04-02 04:20 pm UTC (link)
How beautiful! I like the reference to Kazuma's house as a "sanctuary" for Rin. It is, as it was for Kyou. I have a soft spot for Kazuma ...

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[info]umadoshi
2006-04-02 06:01 pm UTC (link)
^_^ Thanks! And Kazuma is just beyond fabulous. I love him so much. *^^* (I find myself slipping him into fics at every possible opportunity . . . and remain very pleased that I ficced about Rin having stayed with him *before* we found out that it was canonical.)

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[info]dragonsquee
2006-04-19 02:10 pm UTC (link)
Oh. The imagery, the details, teh way Haru's placidness balances Rin's skittish sensibilities...you've captured them wonderfully here and the writing is just breathtaking. This is why I love HaruRin so much.

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[info]umadoshi
2006-04-19 03:15 pm UTC (link)
*^^* Thank you! I really, really love writing them--they're both so layered and subtle (and I'm very depressed at the idea that there might never be much more material on them in the manga, since it's winding down so fast). Writing experimentally always makes me feel uncertain, so I'm very glad you enjoyed this piece. ^^

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