Ah, Minolta, my love, we have not seen each other for the longest time.
It is fair to blame this break in our relationship largely on the emergence of a certain
digital camera --a certain, smaller, lighter and quicker than you digital camera. Cheap, too, and though I don't mind your expensive nature, sometimes it does have the tendency to break the bank.
So I admit, I did get a little addicted to my Canon. Sure, it doesn't have that comforting, solid weight you have, that simplistic yet impressive versatility that you rarely boast about but make clear after a couple of button presses. And no, there is nothing quite like having a manual focus; the peckish, fragmented pixels that a digital camera has doesn't really have the clarity that you do.
It often overcompensated for bad lighting or quick movement. Occasionally it tried too hard in broad daylight, too -- I'd glance through my review sheets, disgruntled by the streaky, loudly bright atmosphere all of my outdoor pictures had, even after I adjusted shutter speed, aparture and all that other pretty stuff.
But what was I do to, Minolta? You -- despite not being terribly old -- are a dinosaur. An old, film-swallowing monolith that wanders unsteadily through the new world of photography, unsure of your place in the food chain anymore. I fear bringing you through airports -- fear that all of my work, all of those shutter clicks -- will be obliterated courtesy of TSA and X-Rays. I fear your bulkiness will make me stand out as a tourist more than I already do. Sure, there are some places that
work for tourists, but there are others that don't, and I don't want to endanger you or me in those situations.
I guess I fear the fact that I might lose you. Clicheed as it sounds, you're a pretty awesome camera, and I'd be pissed if someone stole you -- or something. That's one reason you've been tucked away in your bag for the longest time, sitting next to my laptop case and the new (old?) turntable I got for my birthday.
But I guess we had a reunion, didn't we? Yellowstone was a blast, a time when I began to realize the beauty of aparture and shutter speed, lighting conditions and flash. Zoom isn't terribly long-distance (which does make me sad, a little bit), but that was okay. We managed. You ate up six canisters of film -- film that I, a: didn't know I had and b: didn't know was so expensive -- and froze the world at the Lower Falls, some clearings and even (not as impressive as it is) Old Faithful and surrounding area.
It was cool. I missed having a manual camera a lot.
But I suppose I'm here to gripe, Minolta: it cost twenty bucks for three rolls of film. It will cost forty bucks for six.
I am a struggling writer working barely above minimum wage (and no, I suppose that I'm not complaining -- much), and though insurance premiums have dropped, I assure you that gas and all other entities are not cheap.
I love you, Minolta.
But for now, consider our relationship on a "Separated" status.
You'll get your day out of the bag, some time.
I promise.