http://twitter.com/amybrecountwhit
- Location:Virginia
- Mood:
determined - Music:bird calls
Finally got my butt on Twitter (well not my butt, just a pic of my face). Find me under MargieGelb.
Here's the link: http://twitter.com/MargieGelb
Anyway, I hope you like the excerpt. :)
'10 Book Title: The Baby Code
Favorite Bit of Writing Advice: Get to the end.
Favorite and least favorite parts of writing: Favorite: I love the intense,
satisfying thing that happens when I'm deep in my mind. Least favorite: Titles.
Outline or let it fly? It happens while I write it.
5 things about me:
1. I'm wearing a red fleece.
2. I have six siblings.
3. I have a difficult time deciding what info to make public.
4. I'm honest.
5. I came up with a really cool code for my book.
THE BABY CODE synopsis: In a dystopian future after climate change, the world is divided between those who live inside the wall, and those, like sixteen-year-old midwife Gaia Stone, who live outside. It’s Gaia’s job to turn over her quota of infants to the authorities within the wall, until the night one agonized mother objects, and Gaia’s own mother disappears. Fraught with difficult choices that propel Gaia further and further within the confines of the wall, to the prison and even to the Bastion where the Protectorat lives with his privileged family, THE BABY CODE is the riveting story of a girl who wants to save her mother, and a society where a criminal is defined by her genes.
- Mood:
jubilant
I'm hosting an ARC tour of THE CINDERELLA SOCIETY with some YA book blogger buddies. One of them, the darling Harmony at Harmony Book Reviews, asked what I thought about her hosting something like that on a regular basis via her blog. I told her I thought it was a fabulous idea! I think authors and bloggers alike will be thrilled that she's investing her time and energy to coordinate it. (Isn't she awesome?)
She just put up a blog post about it explaining how her ARC tours will work. Here's the link for any authors (and bloggers) who are interested in participating:
http://harmonybookreviews.wordpress.com/t
Enjoy!
Cheers,
Kay
Here's my personal list of the top 10 strategies that have worked for me in the past, in no particular order:
1. Take an Artist's Date
Julia Cameron is one of the best writers on creativity I know, and she suggests that every artist (of any type) should take time once a week to go out for an hour by themselves and do something that they find personally stimulating, whether that means visiting an art gallery or a stationery shop or a football game. The point is, it has to be something that makes you feel inspired and happy and excited about the world again, and you have to do it on your own, not with a friend or a partner. You need to be able to take that time to really absorb what you see or feel into your subconscious to fill up that creative well again, not spend the time in distracting conversation.
If you can do this once a week, on your lunch break or a weekend, that's fabulous. Even if you can't do it regularly, though, it's worth doing it whenever you feel yourself hitting a dead end in your writing or just getting that sinking feeling that you'll Never Get a Story Idea Ever Again, Ever...
In the old days, my artist's dates used to take me to the Leeds City Art Gallery. I used to wander through the 19th-century galleries, enjoying the big romantic paintings and letting my thoughts drift into random story ideas. Nowadays, with a young baby at home, my priorities have shifted. What feels exotic and inspirational for me now is taking one afternoon a week to go out on my own to a bookstore café and just sit reading for hours, with endless cups of tea and squares of chocolate at my side.
What works for you guys? Where do you go to feel like the world is an interesting, creative place?
2. Creativity Books
I already mentioned Julia Cameron, who wrote 3 books I've come back to over and over again when I've felt stymied or blocked: The Artist's Way, Walking in This World: The Practical Art of Creativity, and Finding Water: The Art of Perseverance. Each of the books is focused on a different part of the artistic process, from getting started, to meeting the challenges of a working artistic career, to dealing with long stretches of discouragement, but I've found all of them really helpful for getting through my blocks. The exercises she gives are great, and even just re-reading the essays can work to get me back in the writing/creating mood.
On the other hand, creativity books really seem to be hit or miss for many people - if one connects for you, it really connects, but if not, it may feel like the most stupid and badly-aimed misfire ever.
Which books work for you guys?
( Read the rest of the list behind the cut )
Link to contest details: http://theateamblog.wordpress.com/2009/0
If you guys wanted to spread the word on your blogs, Twitters, etc I would love you forever, but of course I already love you forever so even if not, thanks!
(... Actually I only recognize two of them: Bree & Lindsey. Who is that other chick? Jarzacky or something?? Ha! j/k Jarzab!)
http://readthisbook.wordpress.com/2
- Mood:
chipper
10. Twitter and Facebook are far more important to authors and librarians than they are to (most) publishers. I think what it comes down to is that they have no real way of tracking how these social media sites are affecting their sales, whereas we as authors get a very real sense of who are readers are and allow us to talk to them directly. They all acknowledge that marketing is predominately moving into online ventures and they've started playing around with different ideas (viral marketing, ads on facebook, etc.). Something interesting: they have noticed that a lot of successful marketing is tied up in the idea of "communities" and interacting directly with readers. So the Tenners are doing something right! ;)
9. Trivia moment! If you've ever watched or read anything involving Arthur the loveable aardvark, you might know that the principal's secretary is named "Miss Tingley." She's named after the future editor of Twilight, Megan Tingley, who worked with Marc Brown on the project.
8. There's a school of thought that with the introduction of ebooks, regular books will become a kind of commodity that you either special order or for which you'll pay an extravagent amount of money.
7. There's also a school of thought that believes the above is ridiculous and not likely to happen in the next twenty years. While most of the publishing professionals acknowledge that ebooks are here to stay, they don't believe they'll overtake the market until they're available on technology consumers already own--that is, as long as you have to buy an expensive device like the Kindle, there will always be a huge barrier for consumers. If you compare the publishing industry to the music industry (which many of the speakers have), the difference between digital music and digital books is that digital books don't improve on pre-existing technology. What I mean by that is, life suddenly became much easier when we could put all of our music on iPods and MP3 players, but the book has always been a "perfect technology" in its portability. The only real difference the Kindle makes is that it allows consumers to buy and download books as opposed to going out and buying them in stores.
6. iPhones = where ebooks are most likely to succeed. Though they're also expensive gadgets, they're products that many people now own and closer to the width of a mass market paperback.
5. Fiction buyers at major chain stores like Barnes & Noble have considerable sway when it comes to cover design decisions. Unless a publisher really believes in a cover and is willing to take a chance on it, they will usually listen to the fiction buyers. According to the fiction buyer that spoke, a bad cover (to them, at least) 1) means that the cover actually does reflect the book, but there's no market for said book or 2) the publisher simply doesn't get their own book. She also claims that Frieda Kahlo books always sell, which is random, but interesting nonetheless!
4. For many, many years, the children's side of publishing was--and still is for the most part--dominated by women. This is partly because children's lit was seen as the ugly stepchild of a gentleman's industry for so long, but also because of obvious gender reasons. This is not an industry I am going to find a husband in, people. Shed a tear for me, please.
3. Many agents have started selling their clients' books in Canada before offering it to American publishers. This makes many agents feel devilishly clever, and many editors extremely annoyed.
2. Chip Kidd is ridiculously good at what he does. Do not mess with the Chip Kidd.
1. Many people in the adult world of publishing still have a strange view of YA and children's literature, unfortunately. We had one big book panel of an author, marketing director, editor, publicity person, marketing assistant talking about the author's upcoming Fantasy title. When I read the book, I thought it might actually be better suited in YA, and apparently one of my fellow students agreed with me and asked if they had plans to cross-promote it for a slightly younger audience. "Oh no," said the Marketing Director. They don't want to ruffle any feathers because the book contains "sex, drugs, and alcohol." And we all know those topics are NEVER present in any YA books, oh no, not ever...
Publishers Lunch linked to this article today about the need for a teenager's version of Oprah's book club...like a You Tube hosted by teens about books instead of publisher-driven efforts to promote books. Sounded a lot like a video version of all the great book blogs out there.
Food for thought...book bloggers band together and become the next big thing on TV?? Or at least on YouTube?? Is there really nothing like this out there?
http://indexmb.com/oprah-for-teenage-rea
PS Tenners - this one was not my wacky idea, I'm just the messenger!
Hi all,
Just wanted to share (especially for the YA writers and of course those of us who read this amazing genre) this great article.
Here is a brief excerpt:
"Freshness of ideas, freedom of form. Adults who have fallen in love with the new YA aren’t people who’ve regressed to childhood. They’re people who’ve expanded their horizons, finding a way to make an old thing in their lives—reading—new again."
Worth the read. Enjoy!
http://www.bibliobuffet.com/content/view/1
Hush, Hush was featured on Tales of a Ravenous Reader as the Saturday Sneak-a-Peek:
http://lushbudgetproduction.blogspot.com/
Ravenous Reader links to Becca's excerpt on the Simon & Schuster website, which I must have missed reading before. It's AWESOME! Can't wait 'til this book makes it's way around to me : )
Yay, Becca!
A few Tenner books were also featured yesterday by Kim at The Book Butterfly, another great YA book site - check it out!
http://butterflybookreviews.blogspot.com/2
Also, Tenners (and Watchers), I was thinking a medley of awesome like this might be cool on our homepage once we get all of our Tenner covers--what do you think?
- Mood:
bouncy
I had the pleasure of actually meeting my Deb at the Asilomar writer’s conference back in February and got to hold her precious last ARC. Her YA novel Sliding on the Edge is available now, so when you’re done reading all about her, you can run out and pick up your own copy.
Lee is fine, and I'm glad you asked because everybody is puzzled about how to get my attention. I always wonder if F. Scott Fitzgerald had the same issue. "Should we call you F.? Should we call you Scott? Or should we call you F. Scott? :-)
Shawna has such an interesting background and character - did you have any particular inspiration for the book?
The first idea for my book was a newspaper article with this heading: "Nearly 1 in 5 [Ivy League Students] Surveyed Say They Have Purposely Injured Themselves."
Wow!
I couldn't imagine a young person hurting so much inside that they had to cut or burn themselves to "feel" something or to gain control over their emotional pain. That's when I created a character I thought might do just that. Shawna's not easy to like at first, but readers tell me she grows on them and then sticks inside their heads. Perfect. I wanted readers to become aware of the problem, and I wanted teens who self-abuse to identify in some way with Shawna.
I was really drawn to the setting - a ranch in a small town outside of
familiar with rural life?
I had a former mining town in the Sierra Foothills in mind when I wrote about
Which character do you identify with most?
I suppose since I'm way past 16 I could say I identify with Kay who has all those regrets; however, I really connected with Shawna. She spoke to my heart, but I heard her in my head constantly.
Titles are always so hard, and yours is so different. How did you come up with the title?
Awk! Not the title question! I'm horrible with titles. My working title was The Fourth Horse. (Too esoteric, my editor said.) My second stab at giving this book a name was Bad Ass Attitude (Too likely to offend, my editor said.) Finally, we agreed on Sliding on the Edge. I now title my books X, Y, and Z while I'm writing them.
Do you think Shawna will get to live happily ever after? Do you ever wonder
what happens to the characters after the book ends?
Shawna will live a good life after the book. I just know it. I see her heading toward that red barn, her pockets filled with apple chunks, and Magic there to greet her.
Do you do anything special when you are getting ready to write? Listen to
music?
I'm not sure they're special, but here are my pre-writing "techniques"-- usually when I don't have anything except a germ of an idea and I'm feeling like I'll never be able to cough anything up onto a piece of paper I 1) hide under the bed covers 2) crouch at my desk with my hoodie pulled over my head 3)beg the cat for some sign that he cares I write or that he has a way to start my next book.
What book made you decide you wanted to be a writer? Have you had any
writing mentors?
I can't identify any one book or any one person. I can't even remember making a decision to write. It just happened. That's not a great answer, but it's true.
Do you have any advice for us Tenners as our release dates approach?
Get some sleep before your release date. Seriously.
What are you working on right now?
First, I'm waiting to hear from my editor about my option book. Second, I'm working a YA with a male protagonist. So far this book is in that "beg-the-cat-for-help" stage, so I don't have much to say about it until he comes up with some guidance.
Give us a few little-known facts about Lee.
I'm very sentimental, but I hate to admit it. I think I have every card anyone has ever sent me. Sentiment can take up a lot of space in a closet, let me tell you.
BIO:
Book TItle:
THE LIFE AND OPINIONS OF AMY FINAWITZ EIGHTH GRADER
Publisher:
Roaring Brook Press
Favorite Bit of Writing Advice:
1) Success leaves clues. And, no, that does not mean that I'm a stalker. Find out how your favorite writers work, how they write and how they promote themselves. Then imitate their approach as much as possible.
2) Write everday, or try like hell, even if it's a small amount. This is a 'clue' I picked up from a very successful, award winning writer. All the creative stuff happens when you keep continuity.
Favorite Part of Writing:
When, after fits and starts, my main character finds his/her voice. Then I feel like I'm transcribing. I love when situations, that I didn't anticipate, develop because my characters lead me there. I really love it when my story makes me laugh.
Least Favorite Part of Writing:
Writing everyday (see above.) It's so crucial and it's so hard sometimes. I fight myself on this one. Also, I hate feeling like I've hit a creative wall because then I beat myself up until I break through.
Outline or Let it Fly:
Both. I go back and forth. Ultimately, I have to let it fly a lot as the characters constantly suprise me and the spontaneous stuff is often the best. However, those wacky characters have been known to wander into boring, tensionless, swampland unless I redirect them by checking back with some kind of story outline.
5 Things About Me:
1) I live with my husband and twin daughters (all awesome) and many animals ranging from 4 pounds to 700 pounds. I would like to get a pig, but my family forbids it. And, no, I don't live on a farm (although my neighbors think I do.)
2) I love Devil Dogs and Halloween (really love 'em.)
3) I get up at least 300 hundred times a night. Don't ask me why. As a child, I sleepwalked (I'm told) and I come from a long line of restless sleepers. I do find comfort, however, in the knowledge that, unlike some of my relatives, I have no desire to cook fried salami at 2:00 in the morning or wake the whole neighborhood by opening and closing the electric garage door numerous times to take the car out for a drive.
4) I like Outsider Art and most anything that is absurd and makes me laugh.
5) In my spare time (snort) I like to do mosaics, paint and fabric art.
Synopsis:
This is a story about Amy, a precocious New York girl, who is emotionally stranded when her best friend moves to Kansas for the year, leaving her to hang with girls who are dorkier than she is and to crush on hunkaliscious John Leibler all by herself. But before she knows it, Amy is caught up in a most unusual intrigue. She teams up with her elderly neighbor and her very religious (Hasidic) nephew to solve a hundred year old mystery that, not only takes them all over New York City, but prompts Amy to find herself in the process.
not August like I originally thought!
*happy happy happy happy happy*
Bonus coolness?
*June 10 is my Grammy's birthday! She'll be 90 years old that day. This paints me so many colors of happy because she's always encouraged my writing so much, and herself is a lovely writer.
AND
*The beginning of June is when SEA takes place!
I'm so so happy. Change your calendars, peeps!
=D
- Mood:
bouncy


